Not evil. Moronic, which isn't quite the same thing. Evil presupposes a moral decision, intention, and some forethought. A moron or a lout, however, doesn't stop to think or reason. He acts on instinct, like a stable animal, convinced he's doing good, that he's always right, and sanctimoniously proud to go around f***ing up ... anyone he perceives to be different from himself, be it because of skin color, creed, language, nationality, or ... leisure habits. What the world needs is more thoroughly evil people and fewer borderline pigheads.
There's no such thing as dead languages, only dormant minds.
I had never known the pleasure of reading, of exploring the recesses of the soul, of letting myself be carried away by imagination, beauty, and the mystery of fiction and language. For me all those things were born with that novel.
You have to seduce the reader, manipulate their mind and heart, listen to the music of language. I sometimes think of prose as music, in terms of its rhythms and dynamics, the way you compress and expand the attention of a reader over a sentence, the way the tempo pushes you towards an image or sensation. We want an intense experience, so that we can forget ourselves when we enter the world of the book. When you are reading, the physical object of the book should disappear from your hands.
The teachers tried everything, even pleading, but Tomas was in the habit of addressing them only in Latin, a language he spoke with papal fluency and in which he did not stammer. Sooner or later they all resigned in despair, fearing he might be possessed: he might be spouting demonic instructions in Aramaic at them, for all they knew.
My childhood was surrounded by books and writing. From a very early age I was fascinated by storytelling, by the printed word, by language, by ideas. So I would seek them out.
The Cemetery of Forgotten Books is a metaphor, not just for books but for ideas, for language, for knowledge, for beauty, for all the things that make us human, for collecting memory
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