We are made to persist. that's how we find out who we are.
Time, which is your enemy in almost everything in this life, is your friend in writing.
Real maturity is the ability to imagine the humanity of every person as fully as you believe in your own humanity.
Fearlessness in those without power is maddening to those who have it.
A piece of writing is a dangerous thing," he said. "It can change your life.
The human heart is a dark forest.
One of the things that draws writers to writing is that they can get things right that they got wrong in real life by writing about them.
The beauty of a fragment is that it still supports the hope of brilliant completeness.
There are very few professions in which people just sit down and think hard for five or six hours a day all by themselves. Of course it's why you want to become a writer — because you have the liberty to do that, but once you have the liberty you also have the obligation to do it.
There’s no right way to tell all stories, only the right way to tell a particular story.
Knowing that everything comes to an end is a gift of experience, a consolation gift for knowing that we ourselves are coming to an end. Before we get it we live in a continuous present, and imagine the future as more of that present. Happiness is endless happiness, innocent of its own sure passing. Pain is endless pain.
Memory is funny. Once you hit a vein the problem is not how to remember but how to control the flow.
When we are green, still half-created, we believe that our dreams are rights, that the world is disposed to act in our best interests, and that falling and dying are for quitters. We live on the innocent and monstrous assurance that we alone, of all the people ever born, have a special arrangement whereby we will be allowed to stay green forever
What writers do is they tell their own story constantly through other people's stories. They imagine other people, and those other people are carrying the burden of their struggles, their questions about themselves.
In writing you work toward a result you won't see for years, and can't be sure you'll ever see. It takes stamina and self-mastery and faith. It demands those things of you, then gives them back with a little extra, a surprise to keep you coming. It toughens you and clears your head. I could feel it happening. I was saving my life with every word I wrote, and I knew it.
When your power comes from others, on approval, you are their slave. Never sacrifice yourselves - never! Whoever urges you to self-sacrifice is worse than a common murderer, who at least cuts your throat himself, without persuading YOU to do it.
You boys know what tropism is, it's what makes a plant grow toward the light. Everything aspires to the light. You don't have to chase down a fly to get rid of it - you just darken the room, leave a crack of light in a window, and out he goes. Works every time. We all have that instinct, that aspiration. Science can't dim that. All science can do is turn out the false lights so the true light can get us home.
The very act of writing assumes, to begin with, that someone cares to hear what you have to say. It assumes that people share, that people can be reached, that people can be touched and even in some cases changed. So many of the things in our world lead us to despair. It seems to me that the final symptom of despair is silence, and that storytelling is one of the sustaining arts; it’s one of the affirming arts. A writer may have a certain pessimism in his outlook, but the very act of being a writer seems to me to be an optimistic act.
Everything has to be pulling weight in a short story for it to be really of the first order.
We even talked like Hemingway characters, though in travesty, as if to deny our discipleship: That is your bed, and it is a good bed, and you must make it and you must make it well. Or: Today is the day of the meatloaf. The meatloaf is swell. It is swell but when it is gone the not-having meatloaf will be tragic and the meatloaf man will not come anymore.
One can imagine a world without essays. It would be a little poorer, of course, like a world without chess, but one could live in it.
Most of us dont live lives that lend themselves to novelistic expression, because our lives are so fragmented.
Work for most people is really very social, and the actual thinking is often done in community.
But a lot of writers - and I'm one of them - do tend to feel dissatisfied. It makes you a little hard to live with, but it's a goad and does keep you alert and restless.
Because I don't have to be careful of people's feelings when I teach literature, and I do when I'm teaching writing.
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