I write to give myself strength. I write to be the characters that I am not. I write to explore all the things I'm afraid of.
Don’t give people what they want, give them what they need.
I write for fanboy moments. I write to give myself strength. I write to be the characters that I am not. I write to explore all the things I'm afraid of. I write to do all the things the viewers want too. So the intensity of the fan response is enormously gratifying. It means I hit a nerve.
You take people, you put them on a journey, you give them peril, you find out who they really are.
Don't give me songs, give me something to sing about!
I write to give myself strength.
An audience who watches my shows knows who I am, knows that right when they think I'm going to make a joke, I'm going to blow something up, or during the worst peril, I'm going to have someone give someone a kiss - it's just going to happen.
Basically that you can do anything. If you pool your resources,and just give up the idea that you're going to act like a normal person or sleep, if you want it hard enough and do it well enough, it happens. A lot of really talented people either sort of get crushed under the wheel of the movie studio system or desperately try and get their next gig in TV. I understand why, because we've all got to put food on the table and the brass ring is out there, we'd all like to be making the Emmy-winning shows and the blockbusters and all that, but at the same time you could be doing stuff yourself.
If you try to multitask in the classic sense of doing two things at once, what you end up doing is quasi-tasking. It's like being with children. You have to give it your full attention for however much time you have, and then you have to give something else your full attention.
You give my regards to St. Peter, or whoever has his job, but in Hell.
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