Stephen Sondheim Quotes - Page 3

Quotes about:

• Let the moment go. . . . Don't forget it for a moment, though. Just remembering you've had an "and" when you're back to "or" makes the "or" mean more than it did before. . . . Now I understand! And it's time to leave the woods.

  Stephen Sondheim

  Time, Mean, Understanding

  Stephen Sondheim, Hudson Talbott, James Lapine (2002). “Into the Woods”, p.76, Simon and Schuster

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• Everyone tells tiny lies, what's important really is the size.

  Stephen Sondheim

  Lying, Important, Tiny

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• Sometimes colleagues in performance are absolutely astonishing.

  Stephen Sondheim

  Sometimes, Colleagues, Performances

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• The situation's fraught, Fraughter than I thought, With horrible, impossible possibilities!

  Stephen Sondheim

  Impossible, Possibility, Horrible

  35 Copy quote

• Oh if life were made of moments Even now and then a bad one--! But if life were only moments, Then you'd never know you had one.

  Stephen Sondheim

  Moments, Now And Then, Made

  Stephen Sondheim, Hudson Talbott, James Lapine (2002). “Into the Woods”, p.76, Simon and Schuster

  10 Copy quote

• Just remember, Someone is on your side (our side) Someone else is not While we're seeing our side Maybe we forgot: they are not alone. No one is alone.

  Stephen Sondheim

  Your Side, Justice, Sides

  16 Copy quote

• One of the hardest things about writing lyrics is to make the lyrics sit on the music in such a way that you're not aware there was a writer there.

  Stephen Sondheim

  Writing, Way, Hardest

  "Maestro of Broadway". Academy of Achievement Interview, www.achievement.org. July 5, 2005.

  8 Copy quote

• After the Rodgers and Hammerstein revolution, songs became part of the story, as opposed to just entertainments in between comedy scenes.

  Stephen Sondheim

  Song, Stories, Revolution

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• If you told me to write a love song tonight, I'd have a lot of trouble. But if you tell me to write a love song about a girl with a red dress who goes into a bar and is on her fifth martini and is falling off her chair, that's a lot easier, and it makes me free to say anything I want.

  Stephen Sondheim

  Girl, Song, Fall

  23 Copy quote

• Sometimes people leave you Halfway through the wood Others may decieve you You decide what's good You decide alone But no one is alone

  Stephen Sondheim

  People, May, Woods

  Stephen Sondheim, Hudson Talbott, James Lapine (2002). “Into the Woods”, p.84, Simon and Schuster

  8 Copy quote

• If I got involved with the chat rooms and Facebook and everything - I would probably never leave. That's why I don't do it. I literally don't do it. At all.

  Stephen Sondheim

  Rooms, Involved, Ifs

  Source: www.broadwayworld.com

  14 Copy quote

• The nice thing about doing a crossword puzzle is, you know there is a solution.

  Stephen Sondheim

  Nice, Idaho, Gambling

  "Maestro of Broadway". The Academy of Achievement Interview, www.achievement.org. July 05, 2005.

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• I firmly believe lyrics have to breathe and give the audience's ear a chance to understand what's going on. Particularly in the theater, where you have costume, story, acting, orchestra.

  Stephen Sondheim

  Believe, Giving, Acting

  "Maestro of Broadway". The Academy of Achievement Interview, www.achievement.org. July 5, 2005.

  11 Copy quote

• Nowadays, there are sometimes more producers than there are people in the cast, because it takes that much money to put a show on.

  Stephen Sondheim

  People, Sometimes, Producers

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• A close-up on screen can say all a song can.

  Stephen Sondheim

  Song, Screens

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• Deciding what is to be sung and what is not to be sung is really what writing a musical is about.

  Stephen Sondheim

  Writing, Musical

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• There's something inimical about the camera and song.

  Stephen Sondheim

  Song, Cameras

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• Pointillism takes emotional images, character, etc., and makes them all come together and make a whole that tells a story.

  Stephen Sondheim

  Character, Emotional, Together

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• Friendship, obligation and greed are not good enough reasons to write anything.

  Stephen Sondheim

  Writing, Not Good Enough, Greed

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• What justifies a character singing one idea for 3 minutes on the screen? I get impatient and want the story to carry on. I don't get impatient in the theatre.

  Stephen Sondheim

  Character, Ideas, Singing

  7 Copy quote

• When you trance out properly, when you're completely in that world, there is no other world, so there's no conflict.

  Stephen Sondheim

  Other Worlds, World, Conflict

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• Over a period of time it's been driven home to me that I'm not going to be the most popular writer in the world, so I'm always happy when anything in any way is accepted.

  Stephen Sondheim

  Home, World, Way

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• I prefer neurotic people. I like to hear rumblings beneath the surface.

  Stephen Sondheim

  People, Beneath The Surface, Surface

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• The truth is that I don't like rehearsals. I get embarrassed hearing my own work. I assume that the cast is embarrassed to sing the stuff.

  Stephen Sondheim

  Rehearsal, Stuff, Hearing

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• Tonight, tonight, won't be just any night. Tonight there will be no morning star.

  Stephen Sondheim

  Morning, Stars, Night

  "Tonight" (song) (1957)

  8 Copy quote

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