Comics are really my life blood in a lot of respects
Like Godfather, you look at a movie like that, or something that James Gray has directed, a film with minimal or pin lighting as opposed to everything being lit bright and flat, where everything is evident
After that I jumped, especially being in art school, to the illustrators.
I still love a lot of the guys who just paint
And within the world that you've created, the physics of that world have to remain constant; they can't be amorphous and changing.
It's interesting, because in the corporate stuff there's a dichotomy there, depending on the creator. Even what, in essence, may be a very safe corporate approach, there is some stuff that is allowed to be pushed
Especially with Elektra, because I'm doing a lot of the covers for the new version of Elektra.
I want to say 90% of stuff out there is just crap that got made. The main point is that it got produced.
And I've never viewed comics as assignments for the client
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