In fifty years activity as an analyst I have witnessed again and again that a dreamer after having met a personage regarded by all as influential and good,saw him again in a dream with a different face.
Every [Alaskan] has witnessed climate change over the past fifty years. Our winters are warmer, our summers are longer, and our Arctic Village shores, once protected by sea ice are eroding.
We all want the chance to express the very best of ourselves and to be challenged to keep reaching for more. Our time at work affords us this chance - not the only chance, to be sure, but, given that we're there forty or fifty hours a week, it's one of the best.
Caesar [from the Rise of the Planet of the Apes] was brought up with human beings and because of the drug he had pretty much grown up with his whole life, he felt like an outsider, he felt trapped in an ape's body but he didn't really feel like an ape and that was my way into the character. So he's always had this duality playing him from an infant all the way to now as a fifty-five year old ape.
I don't want to give too much away, but something horrible happens in 1977. That was also the year of the Queen's Silver Jubilee. I remember this jubilee. I remember receiving a commemorative coin from the school. I think it was a fifty pence piece. That was its monetary value, but it was not a normal fifty pence piece, and it would have been strange to try and use it in a shop.
I was doing the Black Issue in 2006 and then went to Africa for Uomo Vogue. I've worked with Gucci and Fendi, committed to create jobs. Fifty percent of those ads went to non-government organizations in Africa. [Nelson] Mandela was on the cover, it helped create attention.
You only had widespread literacy and books that people could afford in the middle of the 19th century. Did more people read poetry at the turn of the 20th century when there were about fifty million people?
When Emily Dickinson's poems were published in the 1890s, they were a best-seller; the first book of her poems went through eleven editions of a print run of about 400. So the first print run out of Boston for a first book of poems was 400 for a country that had fifty million people in it. Now a first print run for a first book is maybe 2,000? So that's a five-time increase in the expectation of readership. Probably the audience is almost exactly the same size as it was in 1900, if you just took that one example.
In the beginning of the 19th century, maybe forty percent of women and fifty percent of men could produce a signature, which meant that they'd had at least three years of education because it was in third grade that people started penmanship in the 19th century. And of course black people could get killed if they got caught teaching themselves to read in some parts of the country.
One other thing: at the meeting in Canada, [there was] the coup in Fiji. This comes to an important part of the Commonwealth: the role of the Queen [Elizabeth II]. I had absolutely just enormous respect for her as leader of the Commonwealth. You could talk to her about any of the fifty-one countries of the Commonwealth and you could have an intelligent conversation with her about the economics, the politics. She really immersed herself in the Commonwealth.
Conventional sports have undergone an evolution in training methods during the last fifty years. Curiosity and the inherent improvement brought about by competition have driven this evolution to a state of high refinement such that today's athletes have a very specialized approach to training at the elite levels.
On both of my major trips to North Korea, the leaders of the country made it plain that they want to make progress towards doing away with nuclear weapons and towards ending the longstanding, official state of war which persists between North Korea and the United States and South Korea, a war which has continued since the ceasefire over fifty years ago. That sort of thing happens quite often when we meet with people who are kind of international outcasts with whom the government of the United States won't meet.
More than fifty years ago Sputnik dramatically raised the nation's awareness of what was lacking in science and math education in America. What we need to wake people up to now is the crisis in imagination and concern for the greater good.
Satyagraha is an opera which I wrote for the Netherlands Opera, so it uses an orchestra of around fifty, a chorus of forty, and there are about seven soloists. The opera ... Satyagraha means truthful, so it was a name [Mahatma] Gandhi used to describe his civil disobedience movement.
I'm extraordinarily honored and proud when I am told that I am part of the Broadway community and part of the Broadway family. Because, Broadway is a family. And it doesn't matter if you did one show or if you did fifty shows.
I think the thriller aspect of this film [Fifty Shades Darker] is what excited me most.
[Fifty Shades Darker director] James Foley directed Fear. And that's what I love about this film, because it has a real sexy thriller element about it.
I'm just a psycho myself. I loved playing Leila [from Fifty Shades Darker], taking on [a character] who's completely unhinged. I saw her as a girl who's grief-stricken and she just doesn't have the tools to cope. Grief and heartbreak, it makes you do some pretty crazy things.
Physically stalking as opposed to Instagram stalking, which was kind of great. Leila [from Fifty Shades Darker ] puts my Insta stalking into perspective.
I did get a letter which was pretty alarming once. Well, it was sent to the Fifty Shades production office. And it was pretty ... I'd say interesting. I don't really want to go into that. But otherwise the response has been good, thankfully.
I kind of liked all the creeping stuff [in Fifty Shades Darker], like when they're sleeping and there's me just standing behind the bed. It was great.
[Christian from the Fifty Shades Darker] is definitely a good person. I mean, he's flawed like all of us, you know? And I guess all of his wounds or his trauma, he acts out sexually. Which is pretty normal. People have different wounds, people act different things out.
[United States] are sovereign country, they are an independent country, but this is their limit; they don't have to interfere in any other country. Because of this interference for the last fifty years, that's why they are very good only in creating problems, not in solving problems. That's the problem with the American role.
I said we don't pin a lot of hopes of changing administrations [in U.S.] because that context has been going on for more than fifty years now, and that's expected. If they want to continue in the same position of the United States creating problems around the world, that's what they have to do: only interfering in the matters of other nations.
I had dreamed my life for nearly fifty years (I am about to be fifty-nine). But, you see, there are two tones in Les Mats: the echo of this condemnation and a mitigation of that severity.
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