I can write for weeks or months sometimes and edit it down to a song. I feel like it's a piece of music that will hopefully stand the test of time and hopefully capture a moment in history if I'm doing it correctly and honestly.
Michael Jordan was a cultural icon that everybody on the playground wanted to be. The Bulls dynasty was a huge part of my childhood and it was the peak of my basketball interest as a kid.
Drug culture is extremely prevalent and probably most people know somebody whose life has been affected by drugs, if it's not their own or in their own family, they have friends. It's a never-ending process.
I was always the type of person, and still am the type of person, that I cannot be creative and use substances. So from a very early age I knew that if I wanted to make music, successfully, in any capacity, I was going to have to get sober.
Hip-hop was started as a very egocentric, testosterone, machismo-driven art form. The way that people are trying to take away that masculinity that is a such an intrinsical part of hip-hop music.
I like to be as diverse as possible. I think the humorous side and the serious side are both elements of my personality. It's what makes me who I am and if I was to neglect either one of those sides and just focus on one of them, it wouldn't be the full spectrum of my personality.
As a white male in America, I have privilege. As a white male who happens to be an artist with a fan base, I have a platform to spread awareness about that privilege. However, songs about race and privilege are very difficult to A) write and B) dissect as a listener. They're heavy.
I'd always thought that if I could get sober and stay sober, I would be able to have a career making music. My drug and alcohol addiction was the one thing holding me back. I had finally gotten the tools to stay sober, and it was just a matter of writing the songs.
For me, being transparent about every aspect of my life is what makes my music relatable and how I'm able to be an individual amongst the mass amounts of other artists.
My relationship with God is as strong as the time and energy I put into connecting with God.
I've never been a religious person. I've been a spiritual person since I was about 15, 16, when I was first introduced to Psilocybin [mushrooms]. That really opened me up to thinking about the universe in a different way, and coming to significant realizations about my connection to something greater than me.
It's just way more fun making art, growing, grinding for a fan base, and traveling the world with a friend.
I grew up in the spoken-word community. Before everybody had a home studio, or before we could get booked for shows, open mics were the only way to be heard by other people. It really gave me a chance to develop as a performer. Reading a piece of poetry with no beat in front of 20 people is way more challenging than rocking for 10,000 people.
I definitely use "smiling while rapping" as a tool in the booth. I want to have fun while recording. At times it can get tedious and stressful when it's not sounding the way you heard it in your head, but you've got to remember to just smile and appreciate the fact that you're even in the booth and there are people who want to hear your art.
I buy whatever I see, but I tend to not spend money just to spend it.
The one thing I will never do is buy a shirt because of its name, especially when it's $600 for that shirt. To me, that's ridiculous. It's just a shirt; it's not worth the money.
I see a lot of people dressing very similarly, and I see brands being cool because of their name and because of who wears the brands, but that's always been the case. That's kind of the history of fashion. You know, celebrities wear their clothes and people think these celebrities are cool, and then the clothes become valuable. It gives clothes a commodity factor once a certain individual starts wearing that brand. But do I think there's something wrong? I think what's wrong with the fashion world, particularly men's fashion, is the lack of creativity behind it.
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