My head is full of fire and grief and my tongue runs wild, pierced with shards of glass.
There is nothing more poetic and terrible than the skyscrapers' battle with the heavens that cover them. Snow, rain, and mist highlight, drench, or conceal the vast towers, but those towers, hostile to mystery and blind to any sort of play, shear off the rain's tresses and shine their three thousand swords through the soft swan of the fog.
The theater has to impose itself on the public, and not the public on the theater... The word "Art" should be written everywhere, in the auditorium and in the dressing rooms, before the word "Business" gets written there.
Not for a moment, beautiful aged Walt Whitman, have I failed to see your beard full of butterflies.
Green how I love you green. Green wind. Green boughs. The ship on the sea And the horse on the mountain.
If blue is dream what then innocence? What awaits the heart if Love bears no arrows?
The night below. We two. Crystal of pain. You wept over great distances. My ache was a clutch of agonies over your sickly heart of sand.
I sing your restless longing for the statue, your fear of the feelings that await you in the street. I sing the small sea siren who sings to you, riding her bicycle of corals and conches. But above all I sing a common thought that joins us in the dark and golden hours. The light that blinds our eyes is not art. Rather it is love, friendship, crossed swords.
New York is something awful, something monstrous. I like to walk the streets, lost, but I recognize that New York is the world's greatest lie. New York is Senegal with machines.
The gitano is the most distinguished, profound and aristocratic element in my country, the one that most represents its Way of being and best preserves the fire, the blood and the alphabet of Andalusian and universal truth.
Hour of Stars (1920) The round silence of night, one note on the stave of the infinite. Ripe with lost poems, I step naked into the street. The blackness riddled by the singing of crickets: sound, that dead will-o'-the-wisp, that musical light perceived by the spirit. A thousand butterfly skeletons sleep within my walls. A wild crowd of young breezes over the river.
At five in the afternoon. It was exactly five in the afternoon. A boy brought the white sheet at five in the afternoon. A frail of lime ready prepared at five in the afternoon. The rest was death, and death alone
Fire is fed by fire. The same small flame destroys Two stalks of wheat at once.
Damned, damned be the rich! May not even their fingernails be left!... I'm sure that they are going to Hell head-first.
I have often lost myself in the sea, ears full of newly cut flowers, tongue full of love and agony.
I was lucky enough to see with my own eyes the recent stock-market crash, where they lost several million dollars, a rabble of dead money that went sliding off into the sea. Never as then, amid suicides, hysteria, and groups of fainting people, have I felt the sensation of real death, death without hope, death that is nothing but rottenness, for the spectacle was terrifying but devoid of greatness... I felt something like a divine urge to bombard that whole canyon of shadow, where ambulances collected suicides whose hands were full of rings.
Never let me lose the marvel of your statue-like eyes, or the accent the solitary rose of your breath places on my cheek at night. I am afraid of being, on this shore, a branchless trunk, and what I most regret is having no flower, pulp, or clay for the worm of my despair. If you are my hidden treasure, if you are my cross, my dampened pain, if I am a dog, and you alone my master, never let me lose what I have gained, and adorn the branches of your river with leaves of my estranged Autumn.
Adam & Eve. The serpent cracked the mirror in a thousand pieces, & the apple was his rock.
Devoutly the teachers point out huge fumigated domes; but beneath the statues there's no love, no love beneath the eyes set in crystal. Love is there, in flesh ripped by thirst, in the tiny hut struggling against the flood; love is there, in ditches where snakes of hunger wrestle, in the sad sea that rocks dead gulls, and in the darkest stinging kiss under pillows.
Besides black art, there is only automation and mechanization.
New York is a meeting place for every race in the world, but the Chinese, Armenians, Russians, and Germans remain foreigners. So does everyone except the blacks. There is no doubt but that the blacks exercise great influence in North America, and, no matter what anyone says, they are the most delicate, spiritual element in that world.
Ever since I got married I've been thinking night and day about whose fault it was, and every time I think about it, out comes a new fault to eat up the old one; but always there's a fault left.
A dead man in Spain is more alive than a dead man anywhere in the world.
At first glance, the rhythm may be confused with gaiety, but when you look more closely at the mechanism of social life and the painful slavery of both men and machines, you see that it is nothing but a kind of typical, empty anguish that makes even crime and gangs forgivable means of escape.
My tongue is pierced with glass.
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