Some things I won't do for any amount of money. That's so demoralizing and goes against every principle that I hold. It's like, okay, some rich people can buy me because I'm a talented guy. They can buy talent. You can't buy it for yourself, but you can buy other people's talent to serve your purposes. And once an artist does that, he becomes like a plaything of the rich. You know, some of these wealthy collectors have paid lots of money for artwork that I already did, but I didn't do it with the intention of catering to them.
They can buy talent. You can't buy it for yourself, but you can buy other people's talent to serve your purposes. And once an artist does that, he becomes like a plaything of the rich.
Some of the wealthy collectors have paid lots of money for artwork that I already did, but I didn't do it with the intention of catering to them. I think part of the reason my work is attractive to people like that is because it doesn't cater to them.
I still can't spend a lot of money on records at collector prices. There's something in me that just won't allow me to do that. But I will trade my artwork, which I know is worth thousands of dollars.
I draw the line at some things. Some things I won't do for any amount of money. Like for instance, there's a couple of CEOs of very large corporations that offered me lots of money to do special pictures for them. And I just refused to do that. Even if it was a million dollars I wouldn't do it.
There's some connection between visual images and music. But there's plenty of old records where I have no idea what the band looked like, or even what sort of context the music was played in.
I don't do album covers or CD covers for groups or musicians I don't like or have no interest in.
I'm into old-time music, I'm not very interested in modern, popular music at all. And if I'm really into some particular old-time musician, some fiddler or banjo player, I'm always dying of curiosity to see what they look like.
I lose patience with long stories. I get people who go, "Crumb, do some long stories, do a graphic novel." Novel-schmovel.
I was a child of American popular culture. All I did as a kid was what I could get at the local supermarket or the dime store. Nothing else was seen. Plus what was on television, or the movie theatre. That was it.
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