I tell the stories that are of interest to me.
I think I am a little jealous of women who have great girlfriends as adults.
Film school was a privilege I could not afford.
Filmmakers need to realize that their job isn't done when they lock picture. We must see our films through.
I just don't think there's a lot of support for the woman's voice in cinema, and it becomes really difficult to raise that money and start again every time.
The documentaries were something that I could do for a small amount of money, and then I felt like as long as I found the truth in the stories I was telling as a doc, I could teach myself filmmaking through doc filmmaking.
You know, often films that are deemed positive, nobody wants to see them.
I don't understand the iPhone. I just don't get it. Don't ya'll have to write serious emails throughout the day? How can you possibly manage detailed missives on a phone with no keys?
I wish I could be the black woman Soderbergh, and put the camera on my shoulder and shoot beautifully while I directed.
I've been to Sundance eight times as a publicist and thought I was very prepared. I mean, who could've been more prepared for me? A publicist who's been there eight times. Getting there as a filmmaker was a completely surreal, different, unexpected experience.
As long as you're in an environment where the worth of the project isn't based on the project but what its predecessors did, it's not truly inclusive.
"When I look in the mirror, I see a woman who is happy."
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