You have to believe there's something at the other side. And you have to have faith in yourself. You have to think that you have the tools to accomplish it.
There's a paradox in the notion that creativity should be a habit. We think of creativity as a way of keeping everything fresh and new, while habit implies routine and repetition. That paradox intrigues me because it occupies the place where creativity and skill rub up against each other.
Our ability to grow is directly proportional to an ability to entertain the uncomfortable.
No one is born with skill. It is developed through exercise, through repetition, through a blend of learning and reflection that's both painstaking and rewarding. And it takes time.
The routine is as much a part of the creative process as the lightening bold of inspiration, maybe more. And this routine is available to everyone.
I'm often asked, 'Where do you get your ideas?' ...It's like asking, 'Where do you find air to breathe?' Ideas are all around you.
I'm not one who divides music, dance or art into various categories. Either something works, or it doesn't.
Everything that happens in my day is a transaction between the external world and my internal world. Everything is raw material. Everything is relevant. Everything is usable. Everything feeds into my creativity. But without proper preparation, I cannot see it, retain it, and use it. Without the time and effort invested in getting ready to create, you can be hit by a thunderbolt and it'll just leave you stunned.
Playwrights have texts, composers have scores, painters and sculptors have the residue of those activities, and dance is traditionally an ephemeral, effervescent, here-today-gone-tomorrow kind of thing.
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