When I see an entire community disenfranchised, it disturbs me. Not that I'm a message guy, per se. I write about people. I like to write about human beings, not crap political rhetoric. I've tried to avoid that all my life. When I wrote about soldiers in Vietnam, I wasn't trying to make a political statement. I was trying to write about how screwed things were for soldiers, and how they still are.
I run into people from the Lehigh Valley and Allentown all over the world, and they're obviously doing pretty well. They say, "Oh, it's pretty nice there now and there's a lot of new businesses that have come into the area." Nobody's telling me, "Yeah, I left." Everybody says, "You know, I'm there. It's great. It's really nice there, and you made our town famous."
One of the last times that we played in the area before I wrote "Allentown," I remember a guy coming up to us and saying, "You're never coming back here." I said, "Why do you say that?" He said, "Well, you're probably gonna become a big star. Nobody who ever becomes big comes back here." And I felt so sad for this kid, he seemed so bitter about it. I said, "Well, I'm coming back, no matter what."
Musicians know all about unemployment. You're unemployed a lot, and I think there's a great deal of empathy between musicians and people who are out of work.
Usually when I'm writing, I try to write fairly quickly. If a song sits around too long, it starts to take on a stink. Most of my songs are written in one sitting, two sittings maybe. Those are the ones I like the best, anyway.
I had a melody and a rhythm and chords, but nothing to talk about. I remember reading about how the decline of the steel industry had been affecting the Lehigh Valley, and I decided that's what I was going to write the song about.
Even though I'm in love, sometimes I get so afraid.
I was thinking of the Four Seasons, Frankie Valli and the Four Seasons, and when I was thinking "Uptown Girl!" I was trying to sing like Frankie Valli. They had a song called "Ragdoll," which was about a poor girl and a rich guy. So I just flipped it around and made it about a rich girl and a poor guy.
The biggest regret? This may be one of those years I have no regrets.
Move to California - my first impression of the Wild West.
I actually wrote the song first as "well, it's 9 o'clock on a Saturday." That bit. Then I said, You know what? It needs some kind of an introduction to kind of set the mood and set the flavor. So I just played this kind of cocktail lounge thing, the hustle and bustle of waitresses going by - that kind of thing.
I was listening to stuff and I realized that I've had a lot of different lives. You know the theory [that says] every seven years, you have a different life? I think that's true.
I would say the songs that have different lyrics. I always write the music first, and there's a couple of songs on this box set that have different lyrics from what ended up on the final recording.
I'm kind of putting my toe back in the water and seeing how it feels. We're going to be doing stuff we haven't done for years and years and years. So I'm looking forward to seeing how this stuff flies.
I always wrote the music first, and the music gave me the mood and the lyrics were pretty much put in to give you a map, where that mood came from and where it's going. But my first love was really the music itself, and I guess I've gone back to that.
Some of the stuff I'm writing is almost like hymns, some of my first singing and choral experiences were in church, the Church of Christ in Hicksville.
I never stopped writing music, I just stopped writing songs. I've been writing music continually ever since the last album of original tunes, "River Of Dreams" in '93.
I've written a bunch of stuff that no one's ever heard, and I don't know if they ever will. I'm just doing it for my own edification.
I tell the audience every night, "I hope you didn't pay more than face value on that ticket, because we ain't worth more than that, and you ain't gonna get any more than that."
I've always said about 50% of what happens at a concert has to do with the audience. If you play for a dead audience you're gonna stink. If we play for a great crowd we're much better. You want 'em to make noise. It's kinda like sex, if they don't make noise, you ain't doin' it right.
People pay a lot of money to go see shows now, they don't wanna know about your technical problems, or if you're not feeling good, they don't wanna know we have a glitch. It's their night, you better do something to earn that money.
I always thought of myself as the piano player in the band. That, I suppose, I'm confident about, and I guess my songwriting developed as I went along and I got a certain amount of confidence in that. The songs are like my kids, I'm proud of all of them for one reason or another.
I'm a piano player. I never thought of myself as a singer, at all. I was always trying to sound like somebody else. I don't like my own voice, I like Ray Charles, Robert Plant, I like Joe Cocker, Rod Stewart, people that have an edge in their voice.
I started just concentrating on songwriting when I was abut 20; I'd been in rock bands six or seven years, kinda got that out of my system, I said, "ok, you ain't gonna be a rock star, you don't look like a rock star, it probably ain't gonna happen. So what you should do is write songs and maybe other people will do your songs."
People always think I was just playing in a piano bar, but I only did that for about six months. The rest of the time I was playing in bands.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: