Poetry is the art of saying what you mean but disguising it.
Learning to live what you're born with is the process, the involvement, the making of a life.
Poems come from incomplete knowledge.
We are authors, all of us, concerned with beginning, with making, with sources and substance.
Still, language is resilient, and poetry when it is pressured simply goes underground.
I think that's what poetry does. It allows people to come together and identify with a common thing that is outside of themselves, but which they identify with from the interior.
I write in the first person because I have always wanted to make my life more interesting than it was.
Poetry is one of the essential structures of civilization - carrying myth, ritual, 'tales of the tribe' and the essence of language.
So, I've never been politically correct, even before that term was available to us, and I have really identified with other people who don't want to be read as just a black poet, or just a woman poet, or just someone who represents a cause, an anti-Vietnam war poet.
Poems reveal secrets when they are analyzed. The poet's pleasure in finding ingenious ways to enclose her secrets should be matched by the reader's pleasure in unlocking and revealing these secrets.
I think one of the things that language poets are very involved with is getting away from conventional ideas of beauty, because those ideas contain a certain attitude toward women, certain attitudes toward sex, certain attitudes toward race, etc.
High and low culture come together in all Post Modern art, and American poetry is not excluded from this.
I don't like political poetry, and I don't write it. If this question was pointing towards that, I think it is missing the point of the American tradition, which is always apolitical, even when the poetry comes out of politically active writers.
I think that great poetry is the most interesting and complex use of the poet's language at that point in history, and so it's even more exciting when you read a poet like Yeats, almost 100 years old now, and you think that perhaps no one can really top that.
American poetry is always about defining oneself individually,claiming one's right to be different and often to break taboos.
I think I'm a very good reader of poetry, but obviously, like everybody, I have a set of criteria for reading poems, and I'm not shy about presenting them, so if people ask for my critical response to a poem, I tell them what works and why, and what doesn't work and why.
I have always wanted what I have now come to call the voice of personal narrative. That has always been the appealing voice in poetry. It started for me lyrically in Shakespeare's sonnets.
I definitely wish to distinguish American poetry from British or other English language poetry.
I am not political as a person.
American poetry, like American painting, is always personal with an emphasis on the individuality of the poet.
Because, in fact, women, feminists, do read my poetry, and they read it often with the power of their political interpretation. I don't care; that's what poetry is supposed to do.
Distinctly American poetry is usually written in the context of one's geographic landscape, sometimes out of one's cultural myths, and often with reference to gender and race or ethnic origins.
But I don't think that poetry is a good, to use a contemporary word, venue, for current events.
But I am not political in the current events sense, and I have never wanted anyone to read my poetry that way.
I do not read newspapers. I do not watch television. I am not interested in current events, although I will occasionally discuss them if other people want to discuss them.
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