I don't need sound to talk to me.
Until I die there will be sounds. And they will continue following my death. One need not fear about the future of music.
Food, one assumes, provides nourishment; but Americans eat it fully aware that small amounts of poison have been added to improve its appearance and delay its putrefaction.
You can feel an emotion; just don't think that it's so important.
I needed another basis for musical structure. This I found in sound's duration parameter, sound's only parameter which is present even when no sound is intended.
One day when I was studying with Schoenberg, he pointed out the eraser on his pencil and said, 'This end is more important than the other.' After twenty years I learned to write directly in ink.
Percussion music is revolution. Sound and rhythm have too long been submissive to the restrictions of nineteenth century music. Today we are fighting for their emancipation. Tomorrow, with electronic music in our ears, we will hear freedom. At the present stage of revolution, a healthy lawlessness is warranted. Experiment must necessarily be carried on by hitting anything-tin pans, rice bowls, iron pipes-anything we can lay our hands on. Not only hitting, but rubbing, scraping, making sound in every possible way...What we can't do ourselves will be done by machines which we will invent.
Composing for the prepared piano is not a criticism of the instrument. I'm only being practical.
Each something is a celebration of the nothing that supports it.
The truth is that everything causes everything else. We do not speak therefore of one thing causing another. There are no secrets. It's just we thought they said dead when they said bread.
Everyday is a beautiful day, Everything is pleasing
Guy Nearing told us it's a good idea when hunting mushrooms to have a pleasant goal, a waterfall for instance, and, having reached it, to return another way. When, however, we're obliged to go and come back by the same path, returning we notice mushrooms we hadn't noticed going out.
We are living in a period in which many people have changed their mind about what the use of music is or could be for them. Something that doesn't speak or talk like a human being, that doesn't know its definition in the dictionary or its theory in the schools, that expresses itself simply by the fact of its vibrations. People paying attention to vibratory activity, not in reaction to a fixed ideal performance, but each time attentively to how it happens to be this time, not necessarily two times the same. A music that transports the listener to the moment where he is.
We are simple-minded enough to think that if we were saying something we would use words. We are rather doing something. The meaning of what we do is determined by each one who sees and hears it.
Combine nursing homes with nursery schools. Bring very old and very young together: they interest one another.
Each moment presents what happens.
A finished work is exactly that, requires resurrection.
No one can have an idea once he starts really listening.
As McLuhan says, everything happens at once.
Now that things are so simple, there's so much to do.
So somebody has talent? So what? Dime a dozen. And we're overpopulated. Actually we have more food than we have people and more art. We've gotten to the point of burning food. When will we begin to burn our art?
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