Beauty is less important than quality.
Why do you always insist on playing while I'm trying to conduct?
Let me explain what I do here. I don't want to confuse you any more than absolutely necessary.
Congratulations to each and every one of you for the concert last night in New York and vice versa.
I told him he'd have a heart attack a year ago, but unfortunately he lived a year longer.
I wrote it the right way, so it was copied the wrong way right. I mean the right way wrong.
Something went wrong. It was correct when I studied it.
It's so legato it's difficult to splice. Sibelius was famous for that.
There is a number missing. I can see it.
More basses, because you are so far away.
Without him here, it is impossible to know how fast he will play it, approximately.
Thank you for your cooperation and vice versa.
The next movement is still in the factory.
It is not together, but the ensemble is perfect.
That's the way it was every time I studied it.
I can see none of you are smugglers; that's why it's so loud.
That was perfect. It was just the opposite from what I said yesterday.
I need one more bass less.
[conductor Eugene Ormandy introduces Warfield to the audience in an unintentionally humorous way:] With us tonight is William Warfield, who is with us tonight. He is a wonderful man, and so is his wife.
Who is sitting in that empty chair?
Think of your girlfriend or boyfriend or whomever you want to.
Someone came too sooner.
There was confusion since I stood here 35 years ago.
We do not know when he is coming. He is coming tomorrow.
Yes, the mutes are already on. You took them off in the beginning.
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