If there's a book you really want to read, but it hasn't been written yet, then you must write it.
The unread story is not a story; it is little black marks on wood pulp. The reader, reading it, makes it live: a live thing, a story.
After nourishment, shelter and companionship, stories are the thing we need most in the world.
Almost all good writing begins with terrible first efforts. You need to start somewhere.
It was not in my nature to be an assertive person. I was used to looking to others for guidance, for influence, sometimes for the most basic cues of life. And yet writing stories is one of the most assertive things a person can do. Fiction is an act of willfulness, a deliberate effort to reconceive, to rearrange, to reconstitute nothing short of reality itself. Even among the most reluctant and doubtful of writers, this willfulness must emerge. Being a writer means taking the leap from listening to saying, "Listen to me."
Writing stories has given me the power to change things I could not change as a child. I can make boys into doctors. I can make fathers stop drinking. I can make mothers stay.
I think we fall in love and become adults and become citizens in a way by writing stories about ourselves.
I've been writing stories since I was a kid. I love writing stories.
Like so many writers I started writing stories because I didn't have much time for anything else.
For me, writing stories set, well, wherever they're best set, is a form of cultural curiosity that is uniquely Scottish - we're famous for travelling in search of adventure.
But then, that's the beauty of writing stories-each one is an exploratory journey in search of a reason and a shape. And when you find that reason and that shape, there's no feeling like it.
It's hard not to be enthusiastic when you like what you're doing and I love what I do. I love writing stories, I love coming up with ideas for new projects and I love the people I work with, because I work with great writers and artists and directors and actors.
Writing stories is the habit of lying put to good use.
I was always writing stories, even as a kid. I always wanted to be in the plays and do that sort of thing. Screenwriting started to really appeal to me because the idea of being able to make things that many people got to see became very captivating.
It's funny - for a long time, I didn't know I was writing a book. I was writing stories. For me, each story took so long and took so much out of me, that when I finished it, I was like, Oh my gosh, I feel like I've poured everything from myself into this, and then I'd get depressed for a week. And then once I was ready to write a new story, I would want to write about something that was completely different, so I would search for a totally different character with a different set of circumstances.
I usually start writing stories from tone and not from content - kind of like people who create music and invent the lyrics later on.
I'm a professional. So before I published any novels, I'd always been writing stories.
I approach writing stories as a recorder. I think of my role as some kind of reporting device - recording and projecting.
We are writing stories with light and darkness, motion and colors. It is a language with its own vocabulary and unlimited possibilities for expressing our inner thoughts and feelings.
have a much harder time writing stories than novels. I need the expansiveness of a novel and the propulsive energy it provides. When I think about scene - and when I teach scene writing - I'm thinking about questions. What questions are raised by a scene? What questions are answered? What questions persist from scene to scene to scene?
At eleven I was at the peak of my creative powers: I was writing stories and playlets, putting together poetryprojects. I was absorbed by my 'work.' At twelve I was no longer reading or writing, just counting off days and checking them off. I was interested in survival.
One minute I was playing chess and doing maths all the time, the next I had been rerouted into more 'normal' girls' activities: reading, writing stories and worrying about my clothes.
People ask me if there are going to be stories of Harry Potter as an adult. Frankly, if I wanted to, I could keep writing stories until Harry is a senior citizen, but I don't know how many people would actually want to read about a 65 year old Harry still at Hogwarts playing bingo with Ron and Hermione.
I feel incredibly fortunate to have had the level of success I've had. I was just writing stories for my own sons.
Writing stories is a kind of magic, too.
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