Literature adds to reality, it does not simply describe it. It enriches the necessary competencies that daily life requires and provides; and in this respect, it irrigates the deserts that our lives have already become.
Literature adds to reality, it does not simply describe it.
National literature does not mean much these days; now is the age of world literature, and every one must contribute to hasten thearrival of that age.
Literature is the question minus the answer.
But I don't want comfort. I want God, I want poetry, I want real danger, I want freedom, I want goodness. I want sin.
That love is a conflict seems to me obvious and natural. There isn't a single worthwhile work in world literature based on love that is only about the conquest of happiness, the effort to arrive at what we call love. It's the struggle that has always interested those who produce works of art - literature, cinema or poetry.
Why can't we simply borrow what is useful to us from Buddhism, Hinduism, Taoism, especially Zen, as we borrow from Christianity, science, American Indian traditions and world literature in general, including philosophy, and let the rest go hang? Borrow what we need but rely principally upon our own senses, common sense and daily living experience.
All third world literature is about nation, that identity is the fundamental literary problem in the third world. The writer's identity is insecure because the nation's identity is not secure. The nation doesn't provide the third world writer with a secure identity, because the nation is colonized, it's oppressed, it's part of somebody else's empire.
My works are Chinese literature, which is part of world literature. They show the life of Chinese people as well as the country's unique culture and folk customs.
Most of what we call the classics of world literature suggest artifacts in a wax museum. We have to hire and pay professors to get them read and talked about.
I read world literature and I read French romances in the originals. I had quite a profound knowledge - no, that sounds conceited, but I did have a profound interest in everything spiritual.
The rise to prominence of the Saudi novel in Arabic is the great man-bites-dog of recent world literature. Saudi Arabia is a country without a free press, where European styles and forms are distrusted and where the female half of the population became literate only in this generation.
I always wanted to be a cowboy. But alas! I was burdened early with certain inescapable obligations to world literature.
The Astonishment Tapes will now take its place within the growing field of international research about postwar American poetry's important contribution to world literature. Miriam Nichols has once again done exceptional scholarship.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: