The greatest sign of success for a teacher...is to be able to say, "The children are now working as if I did not exist."
The children are now working as if I did not exist.
I learned a lot about working with children, and about myself, and it reinforced my decision to pursue a career in teaching.
The first thing to understand about working with children's dreams is that adults need to listen up.
I always love working with children. I never had children of my own. God has his purposes. God didn't let me have children so everybody's children could be mine. That's kind of how I'm looking at it.
Working with children with autism has provided me with an opportunity to see the world in a different way. I see them strive to overcome obstacles and persevere, and learn to persevere myself. They are my inspiration.
Working with children is the easiest part of educating for democracy, because children are still undefeated and have no stake in being prejudiced.
The creative impulse can be killed, but it cannot be taught. What a teacher can do... in working with children, is to give the flame enough oxygen so that it can burn. As far as I'm concerned, this providing of oxygen is one of the noblest of all vocations.
I've always loved children. When I was working with children as a librarian, I loved being with them and working around them.
[On the press:] I love working with children, and I have learned to be very patient with them.
The Queen of England gave me the honor of the Order of the British Empire for working with children.
Working with children is very different than the way in which I work with adults. I never tell the children the actual truth of the thing that I want them to act. Although children are really into play and play acting, and this is a major part of their existence, they never actually find the playing or acting of adults credible.
The coaches today should realize that they are, after all, working with children who sometimes have to stand up to physical and moral stresses which not even all grown-ups could bear.
Often you hear stories about never working with children. I disagree because children still have that residual magical thinking. They haven't had their imagination knocked out of them by turning into adults and life experiences.
From time to time, I am asked--by people with an alarming lack of tact--why a man like myself, who has demonstrated an affinity for working with children, has none of his own. Other people's children are quite enough, thank you.
The Art of Elysium is a program I've volunteered with for close to ten years, and I work with Unicef and Young Storytellers. My passion is really working with children since they are the future.
It's a wonderful thing working with young actors. I know a lot of people don't like working with children. I actually adore it, because you watch their imagination open up and you watch them start to learn this job that I've been doing for so long. They come with such a lack of cynicism.
Daniel Nahmod's music is addictive and contagious... and is equally comfortable addressing your spirituality, your co-dependence and anger, your hungry stomach or your loving heart. His songs run the gamut from meditative to wise-ass to joyful to everything in between, and he is particularly wonderful working with children (and the young-at-heart). When CDs 4 and 5 come out, you can feel totally comfortable buying them unheard and unseen -- all of Daniel's music is amazing.
If I wasn't acting, I would probably be working with children. I was a camp counselor growing up and I loved it.
I love working with children and this young boy, Thomas Sangster, is quite a remarkable young actor. He raises your game, you know. He certainly raised mine.
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