[Civil right leaders]themselves in their pronouncements will tell you they need white allies, they need white help, they need white this.
Eleanor Roosevelt could easily have told negroes the deceitful maneuvering of the United States government that was going on behind the scenes. She never did it. In my opinion she was just another white woman whose profession was to make it appear that she was on the negro's side. You have a lot of whites who are in this category. Therefore, they have made negro loving a profession.
I once did a - the first piece on Malcolm X that anyone had ever seen in the - white press.
I was very much against the Vietnam War, and Max Askeli was visiting Lyndon Johnson in the White House cheering him on, writing editorials. And in The Voice one day I once referred to him as Commander Askeli. And I called in to The Reporter to go over the galleys of a music piece I had written, and the editor whispered to me, `It's not gonna run. You're not gonna run. Max Askeli has fired you because of what you said about him.'
When Blacks got the right to vote, white women got the right to sit on juries.
Readers need to stop assuming characters are white if race isn't explicitly defined.
If you have the power to see things through somebody else's eyes, it's like going from black and white to color or two dimensions to three dimensions.
I didn't want to give the white reader an opportunity to think of racism as imaginary - a sentiment that is already a central barrier in addressing the problem.
If anything, I have witnessed the ways my art travels, or is rendered more accessible, when sanctioned by or connected to white artists.
I am more likely to get paid for my art if it's presented alongside a white artist, so the questions around value and agency arise: What choices should I make, or do I have to make, if I want to be compensated for my work? Why isn't my art valued on its own?
I think white artists have a responsibility to be not only naming white supremacy, but to be using their power and privilege to support artists of color.
I have dedicated a significant portion of my time and artistry to making art that addresses various forms of oppression, including white supremacy, misogyny, and biphobia.
Never for one minute am I like, 'My husband, the white man, and our biracial children.' I never think about it.
Most of what we see are white people.
It's a muscle that everybody needs to develop: the ability to see themselves in someone else's circumstances without having to paint that person white, make that person straight, or a man.
I'm going to live in the White House with my family.
You have to understand that a lot of the working class is not white.
If President Obama wants to keep calling for protests, then that will be his legacy, one of division, rich versus poor, old versus young, black versus white, always dividing. That's what you get under President Obama.
How you staff, particularly the chief of staff, the national security adviser, your White House counsel, how you set up a process in the system to surface information and generate options for a president, understanding that ultimately the president is going to be the final decision-maker. That's something that has to be attended to right away.
I've never seen a study, but my sense is that these are people who feel really aggrieved. These people think, "I've done everything right all my life, I'm a god-fearing Christian, I'm white, I'm male, I've worked hard, and I carry a gun. I do everything I'm supposed to do. And I'm getting shafted." And in fact they are getting shafted. For 30 years their wages have stagnated or declined, the social conditions have worsened, the children are going crazy, there are no schools, there's nothing, so somebody must be doing something to them, and they want to know who it is.
Racial, globalist free markets hasn't worked for everybody in America - hasn't worked for at least the white working, or lower middle class in America don't perceive that it has worked very well for them. It hasn't served everybody, and a bit of protectionism - for many American voters - seems like quite an attractive thing.
We have zero strategic thinking out of our White House. And we have a national security structure that has lost its way when it comes to strategic thinking and strategic decision-making.
I am confident that for the foreseeable future (barring some catastrophic event affecting economic, energy, electrical, and communications systems), many subpopulations that use information intensively (e.g., students, academics, library patrons, white collar workers) will be using some sort of portal information appliance.
We have had a great relationship with the White House.We just had every cabinet person designee of ours meet with the cabinet members of the [Barack] Obama administration on Friday. I've met numerous times with Denis McDonough, they've been nothing but helpful.
The one thing that we discussed was whether or not we want to move the initial press conferences in the EOB, which, by the way, is the White House. So no one is moving out of the White House.
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