When night falls over Washington, D.C., memorials, public buildings, and broad avenues become ethereal shapes in soft light and shadow. Floodlights, piercing the darkness, etch familiar landmarks in silver against a velvet sky. Unsuspected definition of form and contour is revealed.
The starred and stately nights seemed haughty dames in jewelled velvets, nursing at home in lonely pride, the memory of their absent conquering Earls, the golden helmeted suns!
The only time I think I've ever gotten sick of playing Guns and Roses songs really was during - after having played them in Guns and Roses, and then in Snakepit, and then playing 'It's So Easy' and 'Brownstone' in Velvet Revolver.
In the United States those bits of our history that remain are paved over, sanitized, packaged for easy consumption. At those sites not already lost to commercial development, we walk between velvet ropes, herded by guides, warned not to touch. Our icons are preserved under glass, their magic demystified in glossy brochures.
My private tragedy, which cannot, and indeed should not, be anybody's concern, is that I had to abandon my natural idiom, my untrammeled, rich, and infinitely docile Russian tongue for a second-rate brand of English, devoid of any of those apparatuses–the baffling mirror, the black velvet backdrop, the implied associations and traditions–which the native illusionist, frac-tails flying, can magically use to transcend the heritage in his own way.
Lavater told Goethe that on a certain occasion when he held the velvet bag in the church as collector of the offerings, he tried to observe only the hands; and he satisfied himself that in every individual the shape of the hand and of the fingers, the action and sentiment in dropping the gift into the bag, were distinctly different and individually characteristic.
In the weeks prior to the war to liberate Afghanistan, a good friend of mine would ask me almost every day, “Why aren't we killing people yet?” And I never had a good answer for him. Because one of the most important and vital things the United States could do after 9/11 was to kill people. Call it a “forceful response,” “decisive action” ' whatever. Those are all nice euphemisms for killing people. And the world is a better place because America saw the necessity of putting steel beneath the velvet of those euphemisms.
A Halloween-haired, Sachsgate-enacting, estuary-whining, glitter-lacquered, priapic berk How dare I, from my velvet chaise longue, in my Hollywood home like Kubla Khan, drag my limbs from my harem to moan about the system? A system that has posited me on a lilo made of thighs in an ocean filled with honey and foie gras'd my Essex arse with undue praise and money.
His voice was like honey and velvet. "Death, that hath sucked the honey of thy breath, hath had no power yet upon thy beauty," he murmured, and I recognized the line spoken by Romeo in the tomb.
... the twin concepts of nihilism and the antihero have had it. What began with The Wild One and James "nobody understands me" Dean, ran with increasing vehement negativism up through the Stones and Velvets and Iggy ... [I]t may be time, in spite of all indications to the contrary from the exterior society, to begin thinking in terms of heroes again, of love instead of hate, of energy instead of violence, of strength instead of cruelty, of action instead of reaction.
To know nothing, or little, is in the nature of some husbands. To hide, in the nature of how many women? Oh, ladies! how many of you have surreptitious milliners' bills? How many of you have gowns and bracelets which you daren't show, or which you wear trembling?--trembling, and coaxing with smiles the husband by your side, who does not know the new velvet gown from the old one, or the new bracelet from last year's, or has any notion that the ragged-looking yellow lace scarf cost forty guineas and that Madame Bobinot is writing dunning letters every week for the money!
As I enter the small intestine I get squeezed by muscles. Its dark and the walls look like slimey crushed velvet theres pancreas juice on me help me I am disintigrating.
The main difference between the Prague Spring and the Velvet Revolution was that the former was mostly the work of Communist party members and others who wanted to bring about 'socialism with a human face.'
It's just an old alley cat that has followed us all the way home. It hasn't a star on its forehead, or a silky satiny coat. No proud tiger stripes, no dainty tread, no elegant velvet throat. It's a splotchy, blotchy city cat, not a pretty cat, a rough little bag of old bones. 'Beauty,' we shall call you. 'Beauty' come in.
These are really terribly rough times, and we really should try to be as nice to each other as possible.
I certainly know the difference between right and wrong.
Music has fed me a lot of ideas... The film BLUE VELVET came out of Bobby Vinton's version of the song BLUE VELVET.
The first Velvet Underground album only sold 10,000 copies, but everyone who bought it formed a band
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