When you finish a series like 'Ugly Betty,' there are so many voices around you telling you what you should be doing next and what would be good for your future, sometimes you can't hear yourself. I've gotten pretty good at tuning everyone else out. Now it's just me; what pleases me creatively.
I probably can't stand you, but that doesn't mean I don't love you.
I never thought I'd say this, but I miss voter fraud.
I like to do variations of all kinds of different work. One of my roles in Israel was for the theatre - Romeo & Juliet. So from that role I went to - I was playing, I believe her name was Amanda in the U.S., on "Ugly Betty."
When I did 'Ugly Betty' it was very similar to working on 'Mad Men' - great group of people in their own little world. But I don't really see a lot of difference. Of course, on the cable shows, you can tackle subjects and be more specific, because networks have to appeal to the masses, but that's constantly changing and evolving.
I never try to avoid 'Ugly Betty' fans, as I love them.
I'm not so much surprised by the success of 'Ugly Betty' as I am feeling so blessed by it.
Ugly Betty' has been the most important thing I've ever done, easily. I was able to do more with one character than I can ever imagine doing again - Hilda was hilariously funny and emotionally deep... I really got to showcase what I could do with a character.
Salma and I had run into each other once or twice at film festivals because I was doing the press for Real Women Have Curves at the same time she was doing the press for Frida. She had seen Real Women Have Curves, and when the idea of Ugly Betty came up, she thought of me. Her enthusiasm about the project was so infectious-she spoke of it with such expectation. Everyone that was involved was really excited about the project. I really wanted to be a part of it.
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