The genuine artist is never 'true to life.' He sees what is real, but not as we are normally aware of it. We do not go storming through life like actors in a play. Art is never real life.
He who stands aloof runs the risk of believing himself better than others and misusing his critique of society as an ideology for his private interest. While he gropingly forms his own life in the frail image of a true existence, he should never forget its frailty, nor how little the image is a substitute for true life. Against such awareness, however, pulls the momentum of the bourgeois within him.
True friendship is worth more than can be measured, a quality forever to be treasured. True friends will staunchly stand beside each other, as loyally brother shieldeth brother, remaining firm in spite of war and strife, in poverty or sickness, throughout life. True friendship doth endure while comrades age from boy to youth, from warrior to sage.
Much that was called religion has carried an unconscious attitude of hostility toward life. True religion must teach that life is filled with joys pleasing to the eye of God, that knowledge without action is empty. All men must see that the teaching of religion by rules and rote is largely a hoax. The proper teaching is recognized with ease. You can know it without fail because it awakens within you that sensation which tells you this is something you’ve always known.
Let us remember, too, that greatness is not always a matter of the scale of one’s life, but of the quality of one’s life. True greatness is not always tied to the scope of our tasks, but to the quality of how we carry out our tasks whatever they are. In that attitude, let us give our time, ourselves, and our talents to the things that really matter now, things which will still matter a thousand years from now.
We are the dead. Our only true life is in the future. We shall take part in it as handfuls of dust and splinters of bone. But how far away that future may be, there is no knowing. It might be a thousand years. At present nothing is possible except to extend the area of sanity little by little. We cannot act collectively. We can only spread our knowledge outwards from individual to individual, generation after generation. In the face of the Thought Police there is no other way.
We are the dead. Our only true life is in the future. We shall take part in it as handfuls of dust and splinters of bone. But how far away that future may be, there is no knowing.
It's true; life really is generous to those who pursue their destiny
We live on the brink of disaster because we do not know how to let life alone. We do not respect the living and fruitful contradictions and paradoxes of which true life is full.
Life has always seemed to me like a plant that lives on its rhizome. Its true life is invisible, hidden in the rhizome. The part that appears above ground lasts only a single summer. Then it withers away—an ephemeral apparition. When we think of the unending growth and decay of life and civilizations, we cannot escape the impression of absolute nullity. Yet I have never lost a sense of something that lives and endures underneath the eternal flux. What we see is the blossom, which passes. The rhizome remains.
There is no true life within a false life.
Blessed be the true life that the pauses between its throbs are not death!
What is a novel? I say: an invented story. At the same time a story which, though invented has the power to ring true. True to what? True to life as the reader knows life to be or, it may be, feels life to be. And I mean the adult, the grown-up reader. Such a reader has outgrown fairy tales, and we do not want the fantastic and the impossible. So I say to you that a novel must stand up to the adult tests of reality.
The naturalistic literature of this country has reached such a state that no family of characters is considered true to life whichdoes not include at least two hypochondriacs, one sadist, and one old man who spills food down the front of his vest.
I was captured by the songs as much as the singer. They grabbed my heart. The reality of Country Music moved me. Even when I was a kid, I liked the sad songs... songs that talked about true life. I recognized this music as a simple plea. It beckoned me.
This book blew me away. Kelly Parra writes with the keen eye of an artist. Graffiti Girl is warm, gutsy, and true-to-life - an unflinching, honest portrayal of young adults. A seamless and impressive debut.
I do believe that the outward and the inward life correspond; that if any should succeed to live a higher life, others would not know of it; that difference and distance are one. To set about living a true life is to go on a journey to a distant country, gradually to find ourselves surrounded by new scenes and men; and as long as the old are around me, I know that I am not in any true sense living a new or a better life.
It has nothing to do with age, it's not our languages, religion, gender, coulour of our skin; It's a soul within a well, that echoes deep beneath the ego's shell. True life can't ever start, until we offer up our heart.
Only in a true life or death scenario can you have mental clearness to know that you cannot feel guilty for surviving.
How a big majority of book critics and authors have come to believe and to teach that no book is true to life unless it is true to the worst in life, God knows.
It's hard to find really original, compelling works of fiction, for women especially. I find that these true life stories about these women that I'm so blessed to play are some of the most compelling stories, and the truth is stranger than fiction.
Words are not necessary to one's experience of the true life.
I do like Canadian poetry. Christian Bök, Anne Carson, Carmine Starnino, and Don McKay are a few of the Canadian poets whose work has been important to me. But I'm not sure that I do see poetry as a world apart. Some of my metaphors are based in the fantastic, but I try to be true to life as I understand it. That understanding is affected by my Canadianness, my Americanness, my whiteness, my gender, my age, my education, my experience...everything about me affects my view of reality. But I try to wrestle against those partialities, not embrace them.
The true life is not reducible to words spoken or written, not by anyone, ever. The true life takes place when we're alone, thinking, feeling, lost in memory, dreamingly self-aware, the submicroscopic moments.
If it is true ... that no one has a life worth thinking about whose life story cannot be told, does it not then follow that life could be, even ought to be, lived as a story, that what one has to do in life is to make the story come true?
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