[Iggi Pop] is very self-taught, self-educated, but, man, that guy knows about so many things.
I have a few different managers, and one of them hit me up today and was like 'I'm going to set you up with these guys doing beats and such...' I was like cool, as long as I can do what I do. Just because kids are going like this now, I'm not going to do that because I am not 18 years old. I'm not going to rap like I'm in grade three because it's popular. I'm just not going to do that. It's not because I'm being stubborn, and I definitely not that guy that is getting older and does not understand the younger generation.
Most teams have one All-Star, whether that guy made it this year or earlier in his career, and some teams have two All-Stars. What theyre showing is that a group of five guys that play together and play hard will always beat a team with two All-Stars and three average players.
I promised myself as a kid that I would not become that guy. So I have my finger on the pulse of what is going on and I love relevant music today. We are talking about artists like Kendrick Lamar, School Boy Q, Absoul, that whole crew. Of course Evidence and Alchemist, those guys are my brothers and I love those guys, they have been lifelong friends but I have always sort of looked up to them artistically.
I like the idea of people getting to know you from different angles and then realizing "That guy is also that guy!" "Oh, he does that!" I really like having a number of different ways to reach people.
I never want to be that guy spouting off my political views. I mean, they're pretty well known, and it certainly comes out.
I was probably just graduating high school, maybe still in high school. When I was still in high school, maybe the last two years, I was rapping but I wasn't telling anybody. When I signed my deal people didn't know it was the same Ryan Montgomery from Oak Park High School, because I used to play basketball and I used to fight. Like I'd bring boxing gloves to school. So when they found out, it was, "You mean Ryan who be boxing?" or, "Ryan who be hopping up at the park?" So I was known as that guy.
It's the difference between hunting a lion and hunting a deer. If someone hunts a lion, it's like: "Wow, they're brave!" But if they're hunting a deer it's like: "That poor deer!" I know that. I know that guys getting killed is horrible but people have seen it before. You've seen The Evil Dead. With girls, it's like: "I don't want to see that happening..." I know that.
So much of being an actor is trying to force yourself into these roles and sometimes it's a good fit, and sometimes it's not a good fit... you have to get clear about what it is that you do and not try to be a bunch of other people. Not try to be that guy or try to play that part; find the roles that you do well.
I think that what's funny is that I seem to be taking up the roles that I remember my dad having - for some reason, I'm the one who makes the coffee, and my dad was always that guy. It's kind of shocking how closely I compare to my dad.
I wasn't a class clown, I never developed this comedic flair as a kid. Even when I decided to become an actor, it was just to be an actor, not necessarily a comedic actor. I wasn't that guy who struck out with women so he became really funny, and that's when the women started to like him.
Children recognize me from Free Willy (1993), and their parents recognize me from Reservoir Dogs (1992). The kids are, like, "There's Glen!" and the parents are, like, "Don't go near that guy!"
I'm sick of over-trained heroes. I'm really bored with that. Guys that are just ripped to shreds and full of skills. That's boring me. Give me the mechanic that picks up a weapon. Now I'm interested. That's my hero.
I was amazed to go Oscar and win it. It was fantastic getting up on the stage there and looking down. I thought, "That guy looks like Steve Martin, and that guy's like Arnold Schwarzenegger." But it was Steve Martin, and it was Arnold Schwarzenegger. Then they have this terrible kind of conveyor belt backstage - literally - where they take you to this big hangar where the world's press are gathered, and they make you stand on a stage, and they introduce you.
Some of us will never ever find true love. Take, for instance me. And I'm pretty sure that guy right there. And that lady with the sideburns. And basically everybody at table nine.
I never saw anyone like Ty Cobb. No one even close to him as the greatest all-time ballplayer. That guy was superhuman, amazing.
Most guys believe that they're supposed to know how to fix things. This is a responsibility that guys have historically taken upon themselves to compensate for the fact that they never clean the bathroom. A guy can walk into a bathroom containing a colony of commode fungus so advanced that it is registered to vote, but the guy would never dream of cleaning it, because he has to keep himself rested in case a Mechanical Emergency breaks out.
I feel like it's really important for an actor to play different roles so people can see, "Oh, he can play that guy or he can play this guy." You're not just "THAT guy," that cowboy guy, that whatever guy. Then you are limiting yourself.
A real common problem with a lot of animals is that guys are bad, hate to say it, but they will tune into some big feature like the glasses, maybe the beard, baseball hats, you know some unique feature like that. And they'll generalize like, "Okay! All people with baseball hats or black rimmed glasses are bad."
One thing you never hear is "Man that guy is good at badminton".
Usually, you have two people in a scene, and in the history of cinema the hero is most likely going to be the white guy. And the other guy is his friend who is carrying the bag or whatever, and you're not going to light for that guy.
I've always seen making movies as a bunch of little births and deaths. We come in. We don't know anybody or very few people that we work with, but the nature of the job pulls us into a sort of an intimate kind of relationship and communication and then they're gone and it's kind of melancholy. You miss that guy but then suddenly you're working with him again maybe somewhere.
I guess at that moment in time I had a certain... presence? A certain level of presence in the industry. But that was at Madonna's request. There was a concept for the video ["Material Girl"], and the idea was that it was kind of a Howard Hughes and Marilyn Monroe sort of idea, that there was this guy behind the scenes making it all happen. And she saw me as that guy, so she asked for me.
No matter what barbershop you go to, there's always that guy who's just hanging around and doesn't do much, but knows everything that's going on in the community.
One of the many things I want to do is dig us out of that hole so that guys, in particular, can go: "Oh, yeah. Those people are really funny. I've seen that person. It's a woman. They are funny."
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