I didn't become a commercially successful artist by design, and actually I think that commercially successful just means, if you analyse it, that a lot of people like you. It's become a dirty word, and I don't necessarily think it needs to be.
I've had far more success than I ever expected. But I do think that a lot of successful artists have an aim to be successful, even if they don't outwardly sound like it. I never really expected success.
A successful artist of any kind has to work so hard that she is justified in refusing to lay down her sceptre until she is placed on the bier.
Every successful artist comes from a family - parents or siblings or both - who, although equally gifted, chose not to pursue the treacherous and difficult path of the artist.
The art of compromise centers on the willingness to give up something in order to get something else in return. Successful artists get more than they give up.
Success for an artist is completed work. Very successful artists complete a lot of work. It's that simple.
What an artist does, is fail. Any reading of the literature, (I mean the literature of artistic creation), however summary, will persuade you instantly that the paradigmatic artistic experience is that of failure. The actualization fails to meet, equal, the intuition. There is something "out there" which cannot be brought "here". This is standard. I don't mean bad artists, I mean good artists. There is no such thing as a "successful artist" (except, of course, in worldly terms).
One does not have to be a philosopher to be a successful artist, but he does have to be an artist to be a successful philosopher. His nature is to view the world in an unpredictable albeit useful light.
A successful artist is inspired by his muse, and his muse is inspired by the payment of a commission.
In the world of comics, Jack Kirby and Will Eisner may have been more influential artists, but Joe Kubert was its most influential man. Even if he were to be remembered solely for his body of illustration work, he’d still be one of the greats, but by opening the Kubert School in 1976, he was able to personally mentor and educate literally thousands of successful artists who owe their careers to his teachings.
Knowing now what goes into making a successful artist, it's disheartening.
Far from the richest rapper, but my biggest personal achievement thus far in my life has been retiring my mom early from her job at the Post Office. It's a tiny payback for the sacrifices she made that allowed me to chase a far-fetched dream of becoming a successful artist. I'm forever grateful.
It doesn't take much to be a successful artist-all you need to do is dedicate your entire life to it.
If you're not a successful artist it's your fault.
I think a lot of the more successful artists of our time basically have barracudas for managers
There is nothing fiercer than a failed artist. The energy remains, but, having no outlet, it implodes in a great black fart of rage which smokes up all the inner windows of the soul. Horrible as successful artists often are, there is nothing crueler or more vain than a failed artist.
The one thing I've learned in the last ten years is that successful artists don't get paid to write and sing songs, they get paid for the psychological roller coaster they're going to have to ride. That's the hard work.
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