It's unarguable to say that every one of us has been moved by the beauty of what I have called snapshots, but for photographers they are charms and proverbs, and like lightening or wild strawberries.
Imagination is nostalgia for the past, the absent it is the liquid solution in which art develops the snapshot of reality.
My portraits are more about me than they are about the people I photograph.
If you aren't taking a representative sample, you won't get a representative snapshot.
Every photograph that is made whether by one who considers himself a professional, or by the tourist who points his snapshot camera and pushes a button, is a response to the exterior world, to something perceived outside himself by the person who operates the camera.
I love catching a snapshot of something that is just about to happen. Or maybe something that just happened, you know. But I like especially that just-before kind of feeling.
I lose things. I write things and they disappear from my desk, my life. I move a lot. I wanted to gather them and put them under one roof, under one cover, so I could document my life in a series of snapshots.
I'm growing as an individual, but your always growing. All of my albums are snapshots of where I am artistically.
A record is just a snapshot of where you are at any time.
I was always trying to take art photographs, but the most interesting pictures were the snapshots. The artsy pictures were boring, always.
I realized these were all the snapshots which our children would look at someday with wonder, thinking their parents had lived smooth, well-ordered lives and got up in the morning to walk proudly on the sidewalks of life, never dreaming the raggedy madness and riot of our actual lives, our actual night, the hell of it, the senseless emptiness.
In my portraits I try to avoid the fleeting expression and vivacity of a snapshot.
Poems, to me, do not come from ideas, they come from a series of images that you tuck away in the back of your brain. Little photographic snapshots. Then you get the major vision of the poem, which is like a giant magnet to which all these disparate little impressions fly and adhere, and there is the poem!
It was the era of photography. This may have influenced us, and played a part in our reaction against anything resembling a snapshot of life. (On the year 1905)
Our self illusion is so interwoven with personal memories that when we recall an event, we believe we are retrieving a reliable episode from our history like opening a photograph album and examining a snapshot in time. If we then discover the episode never really happened, then our whole self is called into question. But that's only because we are so committed to the illusion that our self is a reliable story in the first place.
When the thing observed... is seen as an agglomeration of pieces, the details lose their meaning and the whole becomes unrecognizable. This is often true of snapshots in which no pattern of salient shapes organizes the mass of vague and complex nuances.
I've been able to tour because of my music and I've learned a lot about myself while on the road. I think some of the imagery of my writing are snapshots of where I've been and my feelings about the world.
Only the bad artists of the nineteenth century were frightened by the invention of photography; the good ones all welcomed it and used it. Degas liked it not only because it provided an accurate record, but because the snapshot showed him a means of escape from the classical rules of design. Through it he learnt to make a composition without the use of formal symmetry.
The snapshot has no pretense or ambition. Innocence is the quintessence of the snapshot. I wish to distinguish between innocence and ignorance. Innocence is one of the highest forms of being and ignorance is one of the lowest.
The idea that the snapshot would be thought of as a cult or movement is very tiresome to me and, I'm sure, confusing to others. It's a swell word I've always liked. It probably came about because it describes a basic fact of photography. In a snap, or small portion of time, all that the camera can consume in breadth and bite and light is rendered in astonishing detail: all the leaves on a tree, as well as the tree itself and all its surroundings.
I like using snapshot cameras because they're idiot-proof. I have bad eyesight, and I'm no good at focusing big cameras.
When I was a boy, my family took great care with our snapshots. We really planned them. We made compositions. We posed in front of expensive cars, homes, that werent ours. We borrowed dogs. Almost every family picture taken of us when I was young had a different borrowed dog in it.
By itself, an ordinary snapshot is no less banal than the petite madeleine in Proust's In Search of Lost Time... but as goad to memory, it is often the first integer in a sequence of recollections that has the power to deny time for the sake of love.
[A digital snapshot] is meant primarily as a means of communication, and the images being sent are almost as ephemeral as speech, so rarely are they printed and made physical.
Whatever you can think, you can create; just have a very clear vision... Once you have your snapshot, work on filling in the blanks to get to that place.
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