My solo album is different from the Black Eyed Peas albums because I'm a singer first and foremost. There are more ballads and more intimacy between me and the listener because sometimes when you're in a group you don't have space to air out your dirty laundry.
Dads are most ordinary men turned by love into heroes, adventurers, story-tellers, singers of songs.
There have been many definitions of hell, but for the English the best definition is that it is the place where the Germans are the police, the Swedish are the comedians, the Italians are the defense force, Frenchmen dig the roads, the Belgians are the pop singers, the Spanish run the railways, the Turks cook the food, the Irish are the waiters, the Greeks run the government, and the common language is Dutch.
If you're a singer you lose your voice. A baseball player loses his arm. A writer gets more knowledge, and if he's good, the older he gets, the better he writes.
I've had the pleasure of working closely with Marc Von Em as a singer, but when I heard his original stuff, I asked him to open up a 10,000 seat gig. Just him, his guitar, and his songs. He killed it!
The best songs are stories, and the best singers storytellers. Great singers can make you care about what they're feeling. You have a sense of knowing them.
But, in North Korea, it's just the opposite. There's one story. It's written by the Kim regime. And 23 million people are conscripted to be secondary characters. There, as a youth, your aptitude towards certain jobs is measured, and the rest of your life is dictated, whether you'll be a fisherman or a farmer or an opera singer.
My wife, Gayle, is a wonderful musician and singer. We share music, so it's a deep bond.
It's not enough to hit the notes. There is no point in the singers just standing there and sounding wonderful if they're not connecting with the characters they are portraying.
I'm a better writer than I am a singer, and I express myself easily through writing.
I used to think I was a singer; I had my own delusions about it.
The greatness of Mac Rebennack, alias, Dr. John, also known as John Crieux, rests on his command of the musical use of idiomatic expression. Not a technically well-endowed singer, nor a great songwriter, he leaves his mark through the discipline and control he exerts over all that he touches.
I didn't come to Nashville to put on a cowboy hat and pretend to be a country singer. My attraction to Nashville as Music City is the variety and flexibility: the fact that there's so many musicians at your disposal, so many amazing studios and talented people that you can draw from. ... I try to be myself, but at the same time I'm learning a lot, and I'm pulling from not only from the well of inspiration that I'm getting from Nashville, but I'm pulling from my roots.
I don't have a rock voice. I have to force it. I am like an opera singer.
There's a kind of a line between music and math, so I guess I got the music gene, thank goodness. But my mother wasn't too thrilled. She wanted me to go to university and get a degree or do something, and my father, he liked opera so he wasn't too thrilled either, because he wanted me to be an opera singer and I didn't have - as he said, I don't really have the strength to do that.
If you're a songwriter, it's to perform your songs. For singers, it's just to get to sing somewhere. So while there may be a reluctance with all the things that go along with it, you got to choose, and this is one of my big opportunities to get back doing it.
Singers always have an advantage. You know, everyone can connect to a song in a way that they cannot do to a basketball act or a magician act or whatever.
But it's all about confidence and allowing yourself to put your personality into it. I really am the worst singer on the planet; I make people cry and vomit when I sing.
I'm not an actor, and I'll never call myself an actor. I've never thought of it as part of my life. I'll always be a singer, in my eyes.
I lived in Italy for a number of years and I was really digging around trying to get my hands dirty, trying to learn about Italian music. And what I ended up gravitating towards was this stuff from the '50s and '60s and maybe early '70s, where there were these incredibly talented pop singers that weren't using pop bands.
As a woman, you listen to more female singers, like guys listen to more rock bands. So in that way, they influence you because you're trying to create an identity; you look to others to model.
When I was a kid. I never really had luck with the ladies my early years in high school. Then I started singing and I found that helped, so I would go in the talent show every year. It was always some female singer that would go up there and blast out some Celine Dion classic and just blow me away.
There're lots of musicians in my family, too. My mother sings incredibly well. I've got to make a record with my mother's voice on it. She sings a lyric soprano. We do the opposite. I'm a baritone. She's a star singer in her church. She always does her solo.
I love to sing. I'm definitely not a very good singer, but when I'm in my shower I get down for sure.
I never solicited myself as a singer until I realized I could use that to a musical standpoint. I loved musicals growing up. Classic films were some of the only ones I watched. So when the opportunity came for the show to audition, of course it was all of a sudden, "I sing! I sing! Send me in, please. I beg of you."
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