The only thing harder than leaving show business is coming back.
It's one of the old show business axioms. No matter how successful you've been, there's always a younger and sexier seal coming along.
It's easier to get on show business, the hard part is to maintain. Nobody stays famous forever.
To be successful in show business, all you need are 50 good breaks.
I love my family very much. I wish I could see them a little more often than I do. But we understand because we're a show business family and we all work.
As far as show business, it's the gratification of doing something that pleases the fans.
Is it hard to make a living in show business? Yeah.
I am interested in a lot of things - not just show business and my passion for animals. I try to keep current in what's going on in the world. I do mental exercises. I don't have any trouble memorizing lines because of the crossword puzzles I do every day to keep my mind a little limber. I don't sit and vegetate.
I cannot stand the people who get wonderful starts in show business and who abuse it. Lindsay Lohan and Charlie Sheen, for example, although there are plenty of others, too. They are the most blessed people in the world, and they don't appreciate it.
I began painting well before I started doing comedy. In fact, when I came out of the war in 1946, I enrolled in art school in Dayton, Ohio. I painted for three years, and then show business took hold.
I didn't get here for my acting... but I love show business.
I went into show business because I love to work with people, and what I enjoy most about acting is rehearsing and getting to know people and their talents, forming relationships. Working in this business, barriers drop and you get into people real quickly
I think that if I had grown up and had been in show business and the movies twenty five, thirty years earlier, I think I would have made a lot more musical movies.
When people ask me, ‘how do you make it in show business,’ or whatever, what I always tell them — and nobody ever takes note of it ‘cuz it’s not the answer they wanted to hear…but I always say, ‘Be so good they can’t ignore you.’
When I'm asked how to succeed in show business, I always say I haven't the foggiest
I got everything I wanted. When I was young in Kansas City, I knew nothing about Frank Sinatra, Billy Eckstine, Ella Fitzgerald, of all those concert halls, of all those countries. I did not know what it was like to direct a band... All I wanted was to be big, to be in show-business, and to travel...and that's what I've been doing all my life.
I always wanted to be a zookeeper when I was growing up, and I've wound up a zookeeper! I've been working with the Los Angeles Zoo for 45 years! I'm the luckiest old broad on two feet because my life is divided absolutely in half - half animals and half show business. You can't ask for better than two things you love the most.
I stayed in show business to pay for my animal business.
I think early on I knew what I was going to do and it was based a lot on familiarity but it was also because I didn't have a lot of skills. There was nothing I wanted t be. I didn't want to be a doctor. I wanted to be in show business.
I think the fact that I was raised in show business, in New York City, in the '50s, that's affected my personality to the point that I'm a little different.
I think the fact that I grew up in show business had a real effect on my personality. If you were born in New York during the golden age of television, and you grew up on Broadway, that marks you.
Well, I was sort of a jack-of-all-trades in show business for a long time. I was a singer and a dancer and then I got a job as an actor.
Mom never quit on me. My only regret is that she didn't live long enough to share some of the money and comforts my work in show business has brought me.
I've made movies that I thought were okay, but then I was very good. And sometimes you're in a movie and you think, 'I wish more people saw that' - because you're good. And it just works out that the movie gets lost. But that's show business.
There is a great supply of amateur undertakers in show business.
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