Once, somebody asked Robert Schumann to explain the meaning of a certain piece of music he had just played on the piano. What Robert Schumann did was sit back down at the piano and play the piece of music again.
It's rather splendid to think of all those great men and women who appear to have presented symptoms that allow us to describe them as bipolar. Whether it's Hemingway, Van Gogh... Robert Schumann has been mentioned... Virginia Woolf, Sylvia Plath... some of them with rather grim ends.
It is impossible to communicate with Schumann. The man is hopeless; he doesn't talk at all.
The Germans are incapable of any conception of greatness: proof Schumann.
One encounters very capable fathers abashed by their piano-playing daughters. Three measures of Schumann make them red with embarrassment.
Just as surely as every new language mastered opens up a new world, so knowledge of a Beethoven, a Chopin, or a Schumann opens up a new world in spiritual beauty and thought.
True originality has its foundations in the soul, not in the mind, and when there is an effort to create something different it is usually a failure. Beethoven or Schumann or Chopin did not try to be original. They were original.
I should also mention that the Neue Galerie is piping music into the galleries where "Klee and America" is hanging, a practice for which vulgar is not even close to the word. Yes, I like Schumann's Carnaval, but I'm damned if I know why anybody thinks the paintings of Paul Klee profit from being viewed with Carnaval playing in the background.
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