Robot Wars is not a sport. Guys just play with remote controls. Now, if they were wired up and got an electrical shock each time their robot got hammered, then, yes, it would be a sport.
Omigawa is moving forward like a karate robot
It's this expandable capacity to represent reasons that we have that gives us a soul. But what's it made of? It's made of neurons. It's made of lots of tiny robots. And we can actually explain the structure and operation of that kind of soul, whereas an eternal, immortal, immaterial soul is just a metaphysical rug under which you sweep your embarrassment for not having any explanation.
One of the main things we have been looking at is, how can we get a robot to think about situations it's never seen before?
I've always enjoyed stories that take place in the future but my one disappointment was that the future books described never came. We're not on other planets, there are no flying cars, and the only robots we have in our homes just sweep the floor. So I wanted to write about a future that I thought could really happen. People ask me when I tell them the title of the book, 'Are we all dead?' The good news is, no. We're still here. And I even think the future in my book is strangely hopeful, although I'm sure there will be people who strongly disagree.
Schools vast factories for the manufacture of robots.
We're not all robots. There are emotions that creep in.
In fact, the left can't survive with independently self-sufficient, self-reliant people. They aren't needed if that ever happens, or within groups of people like that. So they have to assume that people are mind-numbed robots.
When I look out in the future, I can't imagine a world, 500 years from now, where we don't have robots everywhere.
Two big questions that people ask me are: if we make these robots more and more human-like, will we accept them - will they need rights eventually? And the other question people ask me is, will they want to take over?
My most memorable science fiction experience was Star Wars and seeing R2D2 and C3PO. I fell in love with those robots.
If we were to lose the ability to be emotional, if we were to lose the ability to be angry, to be outraged, we would be robots. And I refuse that.
Robots are emotionless, so they don't get upset if their buddy is killed, they don't commit crimes of rage and revenge. But ... they see an 80-year-old grandmother in a wheelchair the same way they see a T80 tank; they're both just a series of zeros and ones.
I think there will always be a particular generation of actors who think that they're going to be replaced by robots. But certainly the emerging actors understand that that's part of the craft.
It's hard to get movie studios to pay a lot of money for movies that don't have robots or explosions.
In the war between the humans and the robots, the humans had to win. Call me hopeful.
My records are fairly quiet and my dj sets are really loud. And then the live shows are like a robot soul revue. So i understand people's confusion.
Mitchell claimed that her materialist view leads to “humbleness.” But it is not humbling; it is dehumanizing. It essentially reduces humans to robots.
That's exciting because to create new value in the robot space quickly, you need to stand on the shoulders of other technological developments.
Man must be at once more humble and more confident; more humble in the face of destructive potentials of what he can achieve, more confident of his own humanity as against computers and robots which are only engines to simulate him.
Communism is the final logic of the dehumanization of man. The industrial civilization of the Western world has no intent to destroy man's freedom or to deny his personality. But Communism does. Denying God, it reduces man to a robot.
Anybody who makes speeches written by someone else is just a robot.
Researchers here in New York created a robot that actually passed a self-awareness test. So if you're keeping score, that's robots: 1, Donald Trump, 0.
Nobody gets lucky all the time. Nobody can win all the time. Nobody's a robot. Nobody's perfect.
I got to draw monsters, robots and write funny stories. I loved doing that stuff and working with the actors. But it got to be less and less that stuff and more about trying to be everywhere and not being able to do one thing very enjoyably.
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