If you write a good action sequence well in a novel, you're already writing it for film, because the only way to do it well is to use some of the same tricks. They're rhetorical, not visual, but it's the same move.
When I hear the president of the United States in a great little rhetorical flourish talk about the leavening hand of the government, everybody knows that leavening hand is attached to the long arm of the Internal Revenue Service. And no one mistakes the Internal Revenue Service with something called liberty.
The idea that we are the gods now, and we are doing things that our ancestors think are god-like is not a rhetorical question. You know what I mean? We really are as gods.
It's always an interesting thing that happens between an artist and their work. People collapse the two, and for any artist, there will be a long period of being considered one thing before being considered another - whether despicable, rhetorical, or poetic. But we all know that these things are made with a huge amount of will and intention. Yet ultimately they're out of our control.
I note that warmists are often banging on about the fact that sceptics like Christopher Booker and myself 'only' have arts degrees. But actually that's our strength, not our weakness. Our intellectual training qualifies us better than any scientist - social or natural sciences - for us to understand that this is, au fond, not a scientific debate but a cultural and rhetorical one.
All language is rhetorical, and even the senses are poets.
The issue of who gets to define the future, own the nation's wealth, shape the parameters of the social state, control the globe's resources, and create a formative culture for producing engaged and socially responsible citizens is no longer a rhetorical issue, but offers up new categories for defining how matters of representations, education, economic justice, and politics are to be defined and fought over. At stake here is the need for both a language of critique and possibility.
What am I to do with you?" Redd asked. "M-maybe you could-" Jack began. The Cat raised a paw. "I know." "It was a rhetorical question, fools! You don't answer it! Since when do I need help making anyone suffer?
Sometimes societies become too stupid to survive. A nation that takes Barack Obama's current rhetorical flourishes seriously is certainly well advanced along that dismal path.
It became quite clear to me that the Natural Law mystique, in Catholic, libertarian or neo-pagan forms, remains basically a set of rhetorical strategies to hypnotize others into the state which Bernard Shaw called "barbarism" and defined as 'the belief that the laws of one's own tribe are the laws of the universe'.
What is in the air there in Washington, what is in the water? What is wrong with them? This is not a rhetorical question. I think it is unspoken question No.1 as Americans look at so many of the individuals in our government. What is wrong with them?
We tend to associate humor with lightheartedness, but really, it's a rhetorical mode than can be applied to any subject. It was through researching Chechnya that I came to understand this.
The biggest issue for me is whether large numbers of Americans can begin to think that government can actually help make the country a fairer place. And that's partly a matter of policies that achieve results in terms of reducing inequality and raising middle-class and working-class incomes, which have been flat for decades. But it's also symbolic and rhetorical, it's whether Hillary Clinton can - or whoever's president - can persuade Americans that it's happening and that they can begin to trust their elected officials a little bit more and their institutions of government a little bit more.
The only tactic liberals have is to try to intimidate people into thinking that the Tea Party is racist. The Tea Party is not a racist movement, period! If it were, why would the straw polls keep showing that the black guy is winning? That's a rhetorical question. Let me state it: The black guy keeps winning.
African-Americans have rarely been the beneficiaries of Presidential rhetorical excess.
Part of it is eight years of a black president, and white America still lost their [minds] about that. Part of it is a Republican politics of vicious, vicious partisan [stuff] that has completely poisoned what we would call the political rhetorical sphere. All of these things come together in a perfect storm.
When I started, I was aware of using the black as a rhetorical device. It's understanding that black people come in a wide range of colors, but you find instances in a lot of black literature in which the blackness is used as a metaphor.
[Donald Trump rhetoric]this is a common rhetorical line used by people who are against free trade that say, we're in favor of trade; we just don't like any of the free trade deals that America has actually signed onto.
When I was 12 years old, my pastor came to the church: Dr. Fredrick Samson. And that was revolutionary because he mentored me and I got a chance to see up close the impact of a rhetorical genius.
So there are all kinds of things that grammarian purists would argue are awkward forms of speech and sometimes they are intentional for rhetorical effect and sometimes it's the way people chose to write at the time. Inerrancy isn't interested in any of those kinds of things.
The colonial power tended to be France or Britain, and the Soviets were proclaimed as anti-imperialists. So, if you align yourself with the Soviets, it fits nicely with that kind of rhetorical division, but in reality it does not get you anywhere.
The second most important attribute of winners, after understanding the human dimension, is knowing what questions to ask, the rhetorical nature.
I've been around so long, I can remember when it was a rhetorical question to ask, "Is the pope Catholic?" Now it's a legit question.
The documentary style is an incredibly flexible and useful one. It's a wonderful tool for establishing the credibility of the version of things that's in the photograph - a kind of rhetorical device or rhetorical strategy. It's always felt very natural to me, because I want a person to end up thinking about the world, and to think about it in a way that is transformed by the experience of art.
Some of the worst writing around suffers from inert verbs and the unintended use of the passive voice. Yet the passive voice remains an important arrow in the rhetorical quiver. After all, it exists for a reason.
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