So you have to just be really careful and make sure that when a deal comes along, that it's like the right deal for you... not necessarily the most money, because you have to pay the record label that back in like record sales and stuff.
Remember the Stax label and how if you liked one record, you liked all the others as well? You don't talk to a lot of people who tell you how much they love their record label. I don't care how many records they sell.
If people stop being interested it's because you haven't written a good enough album. Music will always be the most powerful thing. It doesn't matter what record labels or journalists say. It's the song.
When I did the record, I was coming off a time when my contract had been sold and the music industry had changed a lot. I didn't understand how to make records for big labels. I was waiting for a new kind of record label to emerge.
I think that every record label has its trials and tribulations, its ups and downs. The only thing you can do is hope to recognize what it is that makes you great, and to try and continue to capture it.
Steve Jobs gave a small private presentation about the iTunes Music Store to some independent record label people. My favorite line of the day was when people kept raising their hand saying, "Does it do [x]?", "Do you plan to add [y]?". Finally Jobs said, "Wait wait - put your hands down. Listen: I know you have a thousand ideas for all the cool features iTunes could have. So do we. But we don't want a thousand features. That would be ugly. Innovation is not about saying yes to everything. It's about saying NO to all but the most crucial features.
There's no school you can go to where you can study how to run a record label. Every day was a learning experience.
There is such a thing as good interference from your record label. I don't think I get enough interference from my record label.
I have a day job Monday to Friday. I work at a record label in Brooklyn called Ba Da Bing. It's a great indie label and I listen to music all day. I meet people online and find out about the cool new music blogs.
I entered a songwriting competition, I didn't win, and one of the judges on the panel was an A&R man at a record label that had no other acts and I signed to them. We sent my demo out to five people and David Kahne got back to me that day, and said I think you're amazing I want to start with you tomorrow. He was like my Harvard reach school, I couldn't believe it. I was really excited. It was the first time anyone of any importance said I was good and I ran with that validation for a long time.
I'm the only girl songwriter that fights for a lot of things. I fight for songwriting fees, which record labels want you to shut up about.
Friends of friends had bands in college or in their early 20s and had a moment where they had some kind of interest from a record label or manager. It's always interesting how people handle those decisions and those moments.
I didn't have to fit into a mold. You make the mold. People can smell a rat. If you're doing thing for marketing and for a record label, you're going to set yourself up to be called a phony. As long as it's true to you, you do it.
My experience with being on a record label over the years has been when both of your agendas are in sync, and they're the same goal, it's great to have another army of people and resources and money. But most of the time, they're not the same. Their agenda is just simply to sell plastic discs at any cost, and yours is to preserve - at least in my case - your integrity, and hopefully sell some plastic discs, too.
I was turned down by every record label in L.A. Perseverance is three quarters of the game. Talent's only a quarter. Being able to withstand the word 'no' over and over can build you a pretty tough skin. I knew if I just kept at it, at the very least I'd get better at my craft.
We were 6 feet under. A lot of people gave up on us, including fans and critics and show promoters and record labels.
I think bands will actually make more money without record companies; a much bigger share of the money will go to the bands. You won't have record shops taking 40 percent of the money. You won't have record labels taking 40 percent of the money. So they don't have to sell as many albums as they used to in the past. So it's not necessarily a bad thing if record companies disappear.
I love the road. That's always been my goal. I've said that to many record labels. I want to make records. The road is my favorite. Some people hate the road, I love the road.
I'm confused that there is a lack of faith in listening to and deciding what is a great song and instead going for these formulaic, bad songs over and over again. But that's what happened when people from beverage companies bought record labels and radio stations as opposed to people who love music owning record labels.
MCs get a little bit of love and think they hot, Talkin bout how much money they got...all y'all records sound the same. I'm sick of that fake thug, R&B-rap scenario, all day on the radio, Same scenes in the video, monotonous material. ...Y'all don't hear me though: These record labels slang our tapes like dope. You can be next in line and signed, and still be writing rhymes and broke.
Shoot, there's a committee to tell you everything at a record label. You definitely have to know who you are if you want to look like you at the end of the process. We've all seen people get record contracts, and by the time they're spit out by the machine, we don't even recognize them.
There's definitely some sort of dissent brewing between record labels, publishing companies and artists [about the compensation they get from streaming services] Spotify is returning a HUGE amount of money [to the record labels]. If we continue growing at our current rate in terms of subscriptions and downloads, we'll overtake iTunes in terms of contributions to the recorded music business in under two years.
The opportunity to record the song came when Phil Collins' record label, Atlantic, was doing a tribute album to him and they asked all these different artists to do renditions of his songs.
I want to invest and have my own record label and artists. I want to have a business where my kids, kids, kids will still have something going on long after I'm gone.
I'm developing artists for my new record label, my son's band, Intangible, being one of them.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: