Looking at virtual reality through computer screens, video game screens, and above all television screens is a denial of personality development. It's a denial of socialization, of expansion of vocabulary, of interaction with real human beings.
Television is not my favorite medium, my favorite form of entertainment. Certainly game shows aren't. I don't watch reality shows at all.
All the theories of conspiracy were always a way to escape our responsibilities. It is a very important kind of social sickness by which we avoid recognizing reality such as it is and avoid our responsibilities.
I want to connect music to its highest power - which is heightening consciousness and affecting people's reality. That can't be done in normal ways, not according to my experience.
Symbols mean a lot in politics. They indicate a will and create new realities.
The reality is that most gay couples don't want to adopt a child. Those who do, though, are often prepared to devote themselves entirely to their adoptive child.
Adults trying to protect children from reality, right? And adults always trying to fill children with fantasy - the tooth fairy, Santa, make-believe games, etc. But kids are really smart, I think they know from an early age about death, this void and hole they are immediately traveling toward.
I think literature is somehow both a fantasy and a reality we should all get back to.
Conservative feminism is such an artificial term that doesn't mean much to me. For me conservatism means accepting reality. I acknowledge that there are differences between men and women.
I see the artist as a participant, a co-producer of reality. I do not see the artist as a person who sits at a distance and evaluates.
I see the artist as a participant, a co-producer of reality.
Politics is about realities, not logic.
Personally, I do not support the concept of suicide bombings. This is not part of our [syrian] culture. But whether you condemn them or not, suicide bombings are a reality.
I'd like to believe that I would be able to give in the same way Mandela did, but in reality, I don't know whether that is true. It is much more likely that I would be left with an immense sense of injustice and immense desire for revenge.
The goal of all my work is essentially the same: demonstrating that magic is real or that reality is magic, by paying attention, and finding compensation or consolation for what is essentially a tragic existence.
When I sing the songs, there's a color tone and a place, and it's not a place that I remember in reality. It's usually based on a photo that I took - 'cause those photos don't look like the real world. The film distorts them, and the colors get exaggerated.
I usually see the word "metafiction" applied to works that draw attention to their own devices, their own artificiality, in order to mock novelistic convention and show the impossibility of capturing a reality external to the text or whatever.
One unanswered question is whether a Euro-Islam that combines Islam with democracy will be possible in the future. We mustn't confuse desire with reality.
Stores are the same everywhere; small downtowns are done. Not just in America, but globally. You hear the same music on every station, all our building materials look the same, and all our clothes look the same. But I thought that it couldn't be that simple, because Arizona is not Minnesota. There is this other reality, which is a reality of landscape.
No matter what the genre, I want to see me and my friends. I want to see reality. I want to see what we're really like. I loved 'Bridesmaids'. I thought it was the most honest portrayal of female friendship in such a long time.
Consensus reality seemed like a dull, dead-end street compared to the intense, mutable reality of visions or whatever they were - neurological misfires. I expected life to be full of sudden, inexplicable surprises. When these things didn't happen for a while, life seemed dull and painful.
In the paintings I was always interested in taking elements of space and the reality that we know and dissolving it into patterns.
People for whom art is religion can say, "What I love about art is that it points to a higher reality." Well, fine, but the time comes when the smart thing for such a person to do is to let go of the fun of the art and get into the hard work of attaining and understanding that higher reality, unmixed with worldly games.
When your head is smashing into the concrete you don't have question about whether it's a real sensation. And ultimately, that's what's going to unmake us all - smashing up against the physical reality of death and decay, and being unmade.
"Hello" is always presented as a linear narrative, a singular chain, sometimes in a loop. But the reality of making it is that connections are naturally sprawling all over the place, so I am free to edit any way I want.
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