Let me formulate the artistic disposition as follows: it is reacting with one's ideal to the flaw in oneself and in the world, and somehow making that reaction formation solid enough in the medium so that it indeed becomes an improved bit of real world for others.
Education means the ability to think independently and creatively, and development of the skill of applying one's knowledge in dealing with people and situations in the real world.
People that talk about living in the real world don't even enjoy living in the real world.
Sometimes guessing is the best you can do. In the real world, we guess all the time and it serves us well.
I'm interested in that hybrid - the place between the real world and my imagination. There's a friction that's created between the things we imagine and the things that exist.
I've often thought I would like to try to write a conventional novel, but I just don't know enough about the real world to write one.
When I sing the songs, there's a color tone and a place, and it's not a place that I remember in reality. It's usually based on a photo that I took - 'cause those photos don't look like the real world. The film distorts them, and the colors get exaggerated.
I lived in the world of poetry and ideas. I thought life was all about art and philosophy. In the military, I suddenly found out about the real world.
La Zona is such a closed area, a dangerous, outlaw area. My time in the Zona was a time outside of society, almost out of the real world. And the girls there had such a sense of irony and sarcasm. They were also really interested in my film. They'd be like, "Thank God we live in Mexico, because our kind of prostitution has a heart. We wouldn't want to sit behind a glass cage or be sold by our own mothers. We have free will."
In the real world, illiquid assets carry a discount.
[My novels] introduce levels of intelligence ... moral doubt [and] self-doubt, which may not pertain [to real-world espionage].
We see an ever-increasing move toward inter and trans- disciplinary attacks upon problems in the real world ... The system scientist has a central role to play in this new order, and that role is to first of all understand ways and means of how to encode the natural world into "good" formal structures.
All Hell is smaller than one pebble of your earthly world; but it is smaller than one atom of this world, the Real World.
I find that a lot of actors who are good and open to challenges have lived a full life. When you walk into an audition, you have more to say for yourself because you come from the real world. It's more enticing for directors, I think.
The decision to leave [the church] is you're giving up everything you've worked for your whole life. I feel that people need to understand this has been my whole life. As time goes on, you start to lose touch with the real world. The mindset becomes us against them.
Kenya, being a third world country, from a young age your eyes are open to the real world. I'd like to think growing up there taught me to stand on my own two feet, make my own decisions about what I wanted to be.
When you're playing a fictional character reacting to the real world, it's incredibly difficult and confusing and kind of messes with your values a bit.
I'm sure we all can remember back in the day when you're 17, naïve, you're sort of just this unblemished teenager. You're sort of sheltered and haven't really seen the real world and then when you do see it, you're just like... "This is the world? This is reality?"
People in movies and TV seem to be completely dumb to what's going on in the real world and relationships.
We`re not going to have a backlash. We`re going to build a consensus. And I live in the real world, not the kind of fantasy goals that we would all like, but we would never achieve if we go about it in the blunderbuss fashion that your question would assume.
When I am writing political op-eds, I do think carefully about the impact of my words. When I am writing fiction, it's a different story. In my fiction I am more reckless. I don't care about the real world until I am done with the book.
Where the real world changes into simple images, the simple images become real beings and effective motivations of hypnotic behavior.
Despite having been awarded the dubious honor of arthood, all photography is still perceived as having one foot in the real world, a toe in the chilly waters of verisimilitude, no matter how often it is demonstrated that photographs can and do lie.
We've spent now about 150 years trying to convince ourselves that photographs are reliable evidence, some unimpeachable slice of the real world. That was a myth from the very beginning.
Of course, the camera is a far more objective and trustworthy witness than a human being. We know that a Brueghel or Goya or James Ensor can have visions or hallucinations, but it is generally admitted that a camera can photograph only what is actually there, standing in the real world before its lens.
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