I feel like battle rap is as popular as it's ever been, today. With Total Slaughter it's getting real popular.
Battle rap is a culture. That's boxing, it's like boxing.
I've been watching battle rap since that time period when Cassidy was hot, Murda Mook and Lux first when at it. That was a very pivotal time in hip-hop.
Not even battling but just really known for rapping. Like I had songs up on Soundclick first, take it back.
Jiyong hyung's mind can go wild and think a lot of things. This was my first time writing my own lyrics so I only thought about myself, but Jiyong hyung won't do that. He'll think, 'Ah, this type of rap suits T.O.P., this part suits Seungri.' That's how he writes lyrics, but I can't do that yet.
For me, being a rap fan and the nostalgia of me being a kid, rappers and guys on the street told me everything to wear. That was it. I didn't necessarily read too many fashion books. Then it got competitive in junior high school. It was moreso about, "You don't got these." Everybody could be fresh, but you don't got these.
With rap music, there are billions and billions of samples that are uncleared that people have never been bothered about on an underground level.
As the times are changing, you don't hear as many sample issues with rap artists. Part of that has to do with production styles these days, but the nature of copyright is also changing as the internet becomes more of a giant.
I think America just needs to get real when it comes to the way our kids speak and communicate. They need to understand what happens in rap.
I don't want to do rap that makes people feel bad.
[Clowns] gotten a really bad rap in the last few years. People have really given into their own fears and have celebrated their fears in that way. American Horror Story didn't help.
Either I'm listening to rap music, getting hyped up to go out and do something, or I'm listening to church music.
There are certain fans who want me to rap about the same exact thing, but it's time to grow up.
It just gets old when you hear a million raps about how many ways I could shoot you.
I go out in the streets, and I go to shows, and I see my fans turn from "I like your last rap" to "I feel your movement; you're keeping it all the way real." One thing I've always said is that's never been my story, and I'm not going to go back on my word.
I try to keep the music fresh in my head. And I don't always listen to rap; I listen to a little bit of everything: R&B, rock.
This is the industry that wants [music], the rap industry.
For a long time I heard rap without paying attention, but it is still a way of life, even when you're a kid.
Lenny Bruce genius was the unique ability to investigate hypocrisy and expose social inequities in a street rap that was really a form of poetry.
Two things happened. The creative side of my career was harmed. When I'd sit down and write under the influence of coke, the ratio of pages kept to pages thrown out declined drastically. But onstage, when rapping about a feeling I already owned, I would sometimes get a burst of eloquence.
I think The Eagles single-handedly destroyed country music - well, now, country music has been killed by rap crossovers, so it's hard to say. Maybe we can just agree that money killed country music.
As much as people try to pit black entertainers against one another, because of the underlying feeling that there can't be two of us, or, all of us can't do well. That's what hurts rap the most, the fact that none of us are fighting to protect the door of those who run our industry. It's enough money for all of us.
Of course the concept is to give people samples to get them hooked, I get that. But to continuously give away our music, that's the reason why you don't see [many] rap award shows anymore, the reason that you don't see rappers in commercials anymore; because we have allowed our music to be devalued.
I find myself trying to translate a lot of the things whirring passed my subjective lens into language I can make sense of, then that tribal tongue becomes rap-language and for whatever reason some people on the internet really like that. To y'all I'm eternally indebted.
My struggle and my story is very much so somebody that was just kind of [an] underdog. I didn't have any cosigns, I wasn't even really good at rap, I'm one of those dudes that was never just crazy and amazing, I had to work my f***ing ass off to get good at this stuff.
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