Publishers Quotes - Page 9

• It wasn't the Supreme Court that expelled God from our public school classrooms. It was the textbook publishers.

  James J. Kilpatrick

  Christian, Religious, School

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• Postal inspectors have been given advanced warning that Publishers Clearinghouse is sending packets of laundry detergent that could be mistaken for anthrax. Oh, good timing. What genius came up with this promotion? What's next - a ticking alarm clock? Let's put that in a box.

  Jay Leno

  Genius, Warning, Next

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• a. Critics: people who make monuments out of books. b. Biographers: people who make books out of monuments. c. Poets: people who raze monuments. d. Publishers: people who sell rubble. e. Readers: people who buy it.

  Cynthia Ozick

  Book, People, Literature

  Cynthia Ozick (1966). “Trust”

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• Write what you want to read. So many people think they need to write a particular kind of book, or imitate a successful style, in order to be published. I've known people who felt they had to model their book on existing blockbusters, or write in a genre that's supposed to be "hot right now" in order to get agents and publishers interested. But if you're writing in a genre you don't like, or modeling yourself on a book you don't respect, it'll show through. You're your first, most important reader, so write the book that reader really wants to read.

  Cassandra Clare

  Book, Writing, Successful

  Source: cynthialeitichsmith.blogspot.com

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• Chapter books are often written in series and kids have come to expect that they'll come out once a year, so publishers want to keep the momentum going. It's the kind of art I love to make, except that the time frame is really nutty.

  Carson Ellis

  Art, Book, Kids

  Source: www.revelinnewyork.com

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• Distributed print is arguably our biggest challenge as a machinery supplier, as more publishers find efficiencies in transferring print production to remote printers and supersites. But our signature Goss flexibility and adaptability allow us to meet that challenge head-on with relevant technologies, services and expertise that continue to provide customers with an edge.

  Eric Bell

  Technology, Challenges, Signatures

  "Eric Bell is Director of Marketing Services at Goss International". Interview with Charlotte Janischewski, www.wan-ifra.org. October 13, 2011.

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• In North America, the medium-to-large publishers are generally confining investment to enhancements, upgrades and opportunities for incremental capacity and efficiency improvements, while among the smaller newspapers, there continues to be interest in systems that can provide a significant boost in production capabilities.

  Eric Bell

  Opportunity, America, Enhancement

  "Eric Bell is Director of Marketing Services at Goss International". Interview with Charlotte Janischewski, www.wan-ifra.org. October 13, 2011.

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• I don't relax. My main relaxation is meeting illustrators and publishers in restaurants and bars.

  Tony Ross

  Relaxation, Bars, Restaurants

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• I can understand the allure of a venerable Big Six imprint, of a shot at the New York Times list, of a publisher-sponsored book tour, of seeing your hardbacks in bookstores and your paperbacks in supermarkets.

  Barry Eisler

  New York, Book, Lists

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• Each of my books has taken me a different length of time to write - eight months for Seesaw Girl, eight months for Shard, three years for When My Name Was Keoko! The publisher takes another year and a half to work on the book, so altogether each book can take up to three or four years to publish.

  Linda Sue Park

  Girl, Book, Taken

  Scholastic Interview, www.scholastic.com.

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• As a writer, its important to stay true to your story without giving a hoot about publishers, critics and readers. You should do your karma as an author the way you want to, and rest is up to God.

  Amish Tripathi

  Karma, Giving, Important

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• We were to found a University magazine. A pair of little, active brothers-Livingstone by name, great skippers on the foot, great rubbers of the hands, who kept a book-shop over against the University building-had been debauched to play the part of publishers. We four were to be conjuct editors and, what was the main point of the concern, to print our own works; while, by every rule of arithmetic-that flatterer of credulity-the adventure must succeed and bring great profit. Well, well: it was a bright vision.

  Robert Louis Stevenson

  Brother, Book, Adventure

  Robert Louis Stevenson (2014). “Memories, Portraits, Essays and Records (Annotated Edition)”, p.54, Jazzybee Verlag

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• I had been writing comic books for years and I was doing them to please a publisher, who felt that comics are only read by very young children or stupid adults. And therefore, we have to keep the stories very simplistic... And those were all things I hated.

  Stan Lee

  Children, Stupid, Book

  "EXCLUSIVE: Stan Lee Calls Up MovieWeb to Talk Fantastic Four". Interview with Evan Jacobs, movieweb.com. November 11, 2005.

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• The cliché I tried to avoid was I hated "teenage sidekicks." I always figured if I were a superhero, there's no way on God's earth that I'm gonna pal around with some teenager. So my publisher insisted I have a teenager in the series, because they always felt teenagers won't read the books unless there's a teenager in the story; which is nonsense.

  Stan Lee

  Teenage, Book, Superhero

  Source: movieweb.com

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• I like the idea of standalone novels. I always found with series of books, it's something that publishers love obviously because they can make a lot of money and they build an audience from book to book, but I don't like that as a writer. I prefer the idea of just telling a story, completing it within your book, and moving on and not forcing a child to read eight of them.

  John Boyne

  Children, Moving, Book

  "John Boyne hates celebrity children's books". Interview with Kelly Gallucci, www.usatoday.com. April 11, 2014.

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• I actually produced other people's vocals for a long time when I first signed my publishing deal and I had just sort of decided that I only wanted to be a writer. I would be in all of these writing sessions, and a lot of times my publisher would say, "You should get a demo singer to sing it because then it doesn't identify as a Solange song."

  Solange Knowles

  Song, Writing, Long

  "Solange Knowles On Nas, Juvenile And Dance Moves". Interview with Frannie Kelley, www.wbur.org. February 12, 2014.

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• There is always a certain leap of faith that editors have made with their nonfiction writers. If the trust is broken, things can get very embarrassing for the writers and the publisher.

  A. Scott Berg

  Editors, Broken, Leap Of Faith

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• Although I still write, research and investigate, my role is primarily that of a publisher and editor-in-chief who organises and directs other journalists.

  Julian Assange

  Writing, Editors, Roles

  The Guardian Interview, www.theguardian.com. December 3, 2010.

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• Teachers and librarians can be the most effective advocates for diversifying children's and young adult books. When I speak to publishers, they're going to expect me to say that I would love to see more books by Native American authors and African-American authors and Arab-American authors. But when a teacher or librarian says this to publishers, it can have a profound effect.

  Pat Mora

  Teacher, Children, Book

  Source: www.teachingbooks.net

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• Ebooks have many advantages - publishers don't have to make guesses about how many books to print, books need never go "out of print", and hard-to-find books can be easily available. So far, the only limitation seems to be finding a way for the writer to be paid.

  Kate Grenville

  Book, Way, Needs

  Source: www.compulsivereader.com

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• I love the fact publishers are still publishing unprofitable material. It's a challenge to the powers that be. It's saying there is a real literature in this country and we will keep publishing it.

  Alan Lightman

  Country, Real, Challenges

  Interview with Robert Birnbaum, www.identitytheory.com. November 16, 2000.

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• As 99 per cent of English authors and 100 per cent of American ones [authors] are just such imbeciles, managers and publishers make a practice of asking for every right the author possesses.

  George Bernard Shaw

  Practice, Asking, Imbeciles

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• I object to publishers: the one service they have done me is to teach me to do without them. They combine commercial rascality with artistic touchiness and pettishness, without being either good business men or fine judges of literature.

  George Bernard Shaw

  Men, Judging, Done

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• A young poet in America should not be advised at the outset to give up all for the Muse-to seclude himself in the country, to live hand from mouth in Greenwich Village or to escape to the Riviera. I should not advise him even to become a magazine editor or work in a publisher's office. The poet would do better to study a profession, to become a banker or a public official or even to go in for the movies.

  Edmund Wilson

  Country, Giving Up, Hands

  Edmund Wilson (1952). “The shores of light: a literary chronicle of the twenties and thirties”

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• I think in daily newspapers, the way comic strips are treated, it's as if newspaper publishers are going out of their way to kill the medium. They're printing the comics so small that most strips are just talking heads, and if you look back at the glory days of comic strips, you can see that they were showcases for some of the best pop art ever to come out.

  Matt Groening

  Art, Thinking, Talking

  Interview with Nathan Rabin, www.avclub.com. April 26, 2006.

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