We're living at a time when attention is the new currency We're all publishers now, and the more we publish, the more valuable connections we'll make. Twitter, Facebook, Flickr, Foursquare, Fitbit and the SenseCam give us a simple choice: participate or fade into a lonely obscurity.
Your book may be a masterpiece but do not suggest that to the publisher because many of the most hopeless manuscripts that have come his way have probably been so described by their authors.
I should be sorry to think it was the publishers themselves they got up this entire little flutter to enable them to unload a book that was taking too much room in their cellars, but you can never tell what a publisher will do. I have been one myself.
My theory is that, just like with omitting a final comma in a list when not essential for meaning, publishers are trying to save paper and ink or pixels on-screen.
In Heaven all reviews will be favorable; here on earth, the publisher realizes, plausibility demands an occasional bad one, some convincing lump in all that leaven, and he accepts it somewhat as a theologian accepts Evil.
I labored for eight years thinking that I was writing a book for adults that was a nostalgic look back on childhood. Then my publisher informed me I'd written a children's book.
The share of the sympathetic publisher in the author's success - the true success so different from the ephemeral - is apt to be overlooked in these blatant days, so it is just as well that some of us should keep it in mind.
A lot of publishers have close relationships with people in power. So the press, which used to speak truth to power, doesn't. The big result of that has been the erosion of trust.
I've published several virtually invisible novels and several dozen even more invisible short stories over the years, all of which give me joy - unlike the cumulative experience of seeking publishers for them!
With both agents and publishers hungry for bestsellers, literature will have to end up as a cottage industry.
Don't write the book you think publishers want to commission. Plenty of other writers will be doing the same thing.
I had brought up from Chile a contract agent whose cover was that of a newspaper publisher in Santiago, a young, very talented man, named Dave Phillips, who later on carved quite a career for himself in the agency.
I don't even like showing my stuff to publishers and editors much.
My agent and I put out my proposal one Thursday afternoon in August, 1998. Publishers started bidding immediately, and that process progressed for a few days.
It is the advertiser who provides the paper for the subscriber. It is not to be disputed, that the publisher of a newspaper in this country, without a very exhaustive advertising support, would receive less reward for his labor than the humblest mechanic.
The most difficult book I wrote was the fourth in a series of linked children's books. It was like pulling teeth because the publisher wanted exactly the same but completely different. I'd much rather just do something completely different even if there's a risk of it going wrong.
I think in daily newspapers, the way comic strips are treated, it's as if newspaper publishers are going out of their way to kill the medium.
Writers are always a great nuisance to publishers. If they could do without them, they would.
I formed a resolution to never write a word I did not want to write; to think only of my own tastes and ideals, without a thought of those of editors or publishers.
To make a bestseller, there are more customers than just your customers: Selling to the end-user is just one piece of the puzzle. In my case, I needed to first sell myself to the publisher to get marketing support and national retail distribution.
There are two kinds of books in this world. One improves the mind, the other the bank balance. Sometimes they're the same -- but not often. Most publishers find combining the two is the only way to stay afloat.
Publishers have realized that, unlike the previous time period, American teenagers are both smarter and require more topical material than they had been giving them before that. For one thing, they'll read thicker books. Besides, has anybody looked at the news or read the newspapers recently?
In some cases, people are silent; they're being complacent. But we're also seeing people speak out against some of these raids, these arrests. So for example, the Townhouse Gallery - the outreach director gave an interview to Ahram Online, which is a semi-official news agency here. And he sort of dismissed it, played it down. But the publisher from the publishing house - the Merit Publishing House, which was raided - he said this won't scare us; we will continue to dream of a free country, a country with social justice, and this won't silence us.
Hollywood is a showman's paradise. But showmen make nothing; they exploit what someone else has made. The publisher and the play producer are showmen too; but they exploit what is already made. The showmen of Hollywood control the making - and thereby degrade it. For the basic art of motion pictures is the screenplay; it is fundamental, without it there is nothing. Everything derives from the screenplay, and most of that which derives is an applied skill which, however adept, is artistically not in the same class with the creation of a screenplay.
To me a book is a message from the gods to mankind; or, if not, should never be published at all. A message from the gods should be delivered at once. It is damnably blasphemous to talk about the autumn season and so on. How dare the author or publisher demand a price for doing his duty, the highest and most honorable to which a man can be called?
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