I was invited by a publisher to write the text for Tantra.[1] Having done some research, what fascinated me was the evidence that many 'tantric' ideas actually came to India from the Mediterranean. It is rather a dry read and debunks reports of orgies and sexual mischief – sorry to disappoint.
Write first. Worry about getting an agent or publisher later. Write it first. Prove you can do it and then others will listen. Tons of people talk about books they want to write. Far fewer are those who actually complete that vision. Don’t be a talker.
By 1833 the largest publisher in America, Harper and Company, boasted one horse-powered printing press and seven hand presses while the American Bible Society owned 16 new state-of-the-art, steam-driven presses and 20 hand presses.
Sarah Palin - now don't laugh - is writing a book. Not just reading a book, writing a book. Actually, in the word of the publisher, she's 'collaborating' on a book. What an embarrassment! It's one of these 'I told you,' books that jocks do.
You can get a subjective and highly factual dossier on most anyone in the public realm almost instantly. It's why publishers don't worry about author photos any more; people just Google a person and get on with things.
Never use 'submit' as a verb for sending work to magazine or book publishers; say 'offer,' and never, ever submit. Keep your knees unbent. Be brave.
Writing is not about making a buck, not about publishers and agents. Writing is not about feeling good. Writing is about pain, suffering, hard work, risk, and fear.
Times have changed since a certain author was executed for murdering his publisher. They say that when the author was on the scaffold he said good-bye to the minister and to the reporters, and then he saw some publishers sitting in the front row below, and to them he did not say good-bye. He said instead, "I'll see you again."
The Seven Deadly Sins of the Press: - Concentrated Power of the Big Press. - Passing of competition and the coming of monopoly. - Governmental control of the press. - Timidity, especially in the face of group and corporate pressures. - Big Business mentality. - Clannishness among the newspaper publishers that has prevented them from criticizing each other. - Social blindness.
When I started in the business, there was a thing called adult fantasy, but nobody quite knew what it was, and most publishers didn't have an adult fantasy list. They had science fiction lists, which they stuck a little bit of fantasy into.
I believe my publisher has shown a great deal of faith in me over a lot of years but I'm not prepared to be so arrogant to say that the long-term literary value of my work would compensate them for a financial failure.
It's a shame publishers send rejection slips. Writers should get something more substantial than a slip that amounts to a pile of confetti. Publishers should send something heavier. Editors should send out rejection bricks, so at the end of a lot of years, you would have something to show besides a wheelbarrow of rejection slips. Instead you could have enough bricks to build a house.
Back then, if you had a sore arm, the only people concerned were you and your wife. Now it's you, your wife, your agent, your investment counselor, your stockbroker, and your publisher.
I submitted manuscripts to publishers. This was not so much a feeling that I should be published as a wish to escape the feared and hated drudgery of normal work.
I write synopses after the book is completed. I can't write it beforehand, because I don't know what the book's about. I invent something for my publisher because he asks for one, but the final book ends up very differently.
After being Turned Down by numerous Publishers, he had decided to write for Posterity.
I don't think people really understood what I did. And you know, in my book, 'A Helluva High Note' deals with my back story, that I was a songwriter, that I spent years trying to hone my craft and being rejected and then finally becoming a successful songwriter, record executive and publisher.
When I was growing up the publishing world seemed so far away. When my mother wrote a book, she would look up the address of publishers on the backs of the books she owned and send off her manuscript.
I do see an interest in writing for Twitter. While publishers still do love the novel and people do still like to sink into one, the very quick form is appealing because of the pace of life.
I'm not a great shopper but I do buy a lot of books. I'm the publishers' friend - I buy a hundred books a year and read four.
We need an unambiguous rule - a law - that nobody will step between the publisher and the consumer, full stop.
I think it would be a shame for any writer to let their publishers in any way corral them into a single genre.
Sometimes I feel the only way I can get a major publisher interested in mental illness is if I find a character who has bipolar disorder and is also a love-sick vampire attending an English school called Hogwarts. But I'm not giving up.
Spotify has paid more than two billion dollars to labels, publishers and collecting societies for distribution to songwriters and recording artists.
I didn't want the headache of having a publisher reviewing everything I wrote in advance.
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