I didn't want to pretend to be a conceptual artist that charges $10,000 for an experience. It's just not what I am. I'm a photographer and I make prints. And people buy a print, and I understand that. But I'm uncomfortable with buying an experience.
I published my first book in 1982 - a collection of Irish folklore called Irish Folk & Fairy Tales. It is still in print today. My first young adult book was published a couple of years later, and I've been writing in both genres ever since.
I get nervous when I do print interviews because I know that whatever I say is going to be shown through the lens of whomever I'm talking to. So I've read a lot of different versions of myself - and all of them are true because it's all opinion and they're as accurate as it can ever be. But I don't think that I've been deft at hiding parts of my personality.
The sensory ratios that are being reinforced by the new electronic technology are like the sensory ratios that were in place fifteen thousand years ago. . . . Print imposes a condition on human mind which is now lifting.
"Out of Print" is bookseller speak for "We can't be hedgehogged".
The 'person' is not an interchangeable part. The 'citizen' is. ... The person is harking back to a pre-print model. It's what the hippies were.
I think democracies are prone to inflation because politicians will naturally spend [excessively] - they have the power to print money and will use money to get votes. If you look at inflation under the Roman Empire, with absolute rulers, they had much greater inflation, so we don't set the record. It happens over the long-term under any form of government.
The onus is on us to determine whether free societies in the twenty-first century will conduct electronic communication under the conditions of freedom established for the domain of print through centuries of struggle, or whether that great achievement will become lost in a confusion of new technologies.
I think what electronic culture permits is incredible diversity, and what the print-created world demanded and created was tremendous suppression of diversity.
The interest and the feelings are not due to colors; the lines of a painting that move us move us even more in a print.
Many people who want to be writers don't really want to be writers. They want to have been writers. They wish they had a book in print.
The New York times' long-standing motto, 'All the News That's Fit to Print,' should be changed to reflect today's reality: 'Manufacturing News to Fit an Ideology.'
Readers don't grow in trees. But they are grown-in places where they are fertilized with lots of print, and above all, read to daily.
It's the bane of both the news and sports businesses, both electronic and print - 'You heard it here first!' Who cares? That's nothing but a vanity play. If it's not right, it's garbage.
If I had found out anything, it was that they could print it faster than I could study it.
The polishedness and the sophistication were what I was interested in. I mean, give me a polka dot, a floral print, a pleated dress, a big fur coat, that was always my language, and it wasn't very "in" when I was starting out, so I had a difficult time in the beginning.
I tried the religion scam in Miami, so I know how hard that gig is. But, if you can get it to work, starting your own religion is a license to print money.
With my name in cement, I feel actualised. - On cementing his hand prints on Sunset Boulevard
I took a day to search for God, And found Him not. But as I trod By rocky ledge, through woods untamed, Just where one scarlet lily flamed, I saw His foot print in the sod.
I believe that it should be perfectly lawful to print even things that outrage the pruderies and prejudices of the general, so long as any honest minority, however small, wants to read them. The remedy of the majority is not prohibition, but avoidance.
There's always a tricky issue when you get into stolen material or pornography. The laws for online publishing the same as for print-based publishing, where if you're hosting certain types of things and somebody notifies you about that.
The impression of wood-grain... must be considered, not only as regards texture and visibility, but for the occasional possibility of the expression of form. A soft wood, with hard annulations, such as fir, prints very dearly.
No one person can take credit for the success of a motion picture. It's strictly a team effort. From the time the story is written to the time the final release print comes off the printer, hundreds of people are involved - each one doing a job - each job contributing to the final product.
People don't bother to check with anything anymore. They just like to speculate in print. We like fact-checking!
Television [is] a high-impact medium. It does some things no other force can do-transmitting electronic pictures through the air. Still, as an explored, comprehensive medium, it is not a substitute for print.
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