More conservative advocacy work often encourages portrayals of trans people as people who deserve rights. Deservingness, of course, corresponds to national racial, gender and ability norms.
There are a lot of black men doing really well, taking care of their families, taking care of their wives, being successful, doing the right thing, promoting the right thing. There needs to be an evolution in our portrayal. We have to come together, pool our resources and tell our own stories. People won't respect us unless we make them.
Simply according artistic works the same protection as nonartistic works may not be sufficient to protect creativity. After all, the very essence of artistic expression is invention and artists necessarily draw on their own experience. But if the rules of liability are unclear, artists will not be able to know how much disguise is sufficient to protect their claims from the claims of those who may see themselves in the portrayals.
The zero-sum world [the movie The Social Network] portrayed has nothing in common with the Silicon Valley I know, but I suspect it's a pretty accurate portrayal of the dysfunctional relationships that dominate Hollywood.
The portrayal of post-traumatic stress disorder and things like that felt really big and important.
I was never really bullied at school. I was pretty confident in terms of school work and teachers and I've never shyed away from much but a lot of people have come up to me and said that they were bullied at school and my portrayal of Neville has influenced them a lot in their lives and helped them out.
In my head, thought, I would love to do an interview where it's just sort of de-constructed - the talking points of Iraq - sort of the idea of, is this really the conversation we're having about this war? That if we don't defeat Al Qaeda in Iraq, they'll follow us home? That to support the troops means not to question that the surge could work. That, what we're really seeing in Iraq is not a terrible war, but in fact, just the media's portrayal of it.
What I want you to know is that 'Zero Dark Thirty' is a dramatization, not a realistic portrayal of the facts.
What is accurately portrayed is the rich humanity not just of Martin Luther King but of the movement, which was a multiracial movement. You had blacks and whites coming together and sacrificing, organizing and mobilizing the world. That's the first time we've had collective action put at the center of any kind of portrayal of Martin King on the screen.
One thing I definitely experienced up here (New York), that maybe I have to sort of cop to feeling defensive about, is since the election, people in my cohort, who are sensitive to portrayals of people in the movie as classist, have had no problem coming up with those sorts of [middle-American] stereotypes about a phantom real person they can blame for re-electing George Bush.
There's a plethora of wonderful documentaries. I made a point of not looking at anyone else's portrayal of Henry because I think it would have been too confusing - so I've got a lot of films to look forward to.
Exaggerated portrayals apparently destroy desire more effectively than any repression.
That, what we're really seeing in Iraq is not a terrible war, but in fact, just the media's portrayal of it.
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