I hope that doing truthful portrayals of people in a variety of circumstances gives people a kind of subterranean link to those characters.
I always try to bring a little bit of my own personality to the character, or some sort of personal connection makes it a little bit more of an organic portrayal and the audience can kind of maybe believe it a little bit more. But I always look for something to kind of connect with and identify with, or bring something of myself to the table.
No matter what the genre, I want to see me and my friends. I want to see reality. I want to see what we're really like. I loved 'Bridesmaids'. I thought it was the most honest portrayal of female friendship in such a long time.
I think it will be, as always, interesting to compare different portrayals of Hitchcock. I'm very honored that I'm playing the same part as Anthony Hopkins.
It has been my experience that work on the screen clarifies stage portrayals and vice versa. You learn to make your face express more in making movies, and in working for the theater you have a sense of greater freedom.
The author portrays himself in every line he writes and portrayal is always betrayal.
And we need to share our story. Not with everyone but with someone. There is someone who is like you were. And he or she needs to know what God can do. Your honest portrayal of your past may be the courage for another's future.
One of the most poignant pieces of recent science fiction for me was the portrayal of the adults in the Pixar film WALL-E. I feel like we're on the cusp of becoming fat babies in floating chairs being fed everything in shake form, and I feel like I am as prone to laziness as anybody.
I'm only trying to present as honest a portrayal of the grimness of human ambition as I can. I'd hope it's rather uplifting, actually, since I find the sort of blind optimism and empty laughter of a great deal of "contemporary culture" to be more depressing than something that admits to a potential for disappointment and a gnawing sense of existential mockery.
It was, just as Kinski had predicted, suicide. He should never have done it. It is widely held by those who knew him, and Kinski himself, that he never recovered from Woyzeck. But what was the ultimate result? If you are the viewer of this film, Kinski's portrayal shocks your feelings out of the vault of intellectualizing or passive observing. He forces you to feel with him, to align yourself with your buried emotions. He outs your sensitivity. Is this not something Christ-like? It is, for my money. Kinski is the pure cure for the 21st-century disease - the numbness unto droning.
I try not to blame the public, because the public - men, especially - have seen not great portrayals of women in supporting roles, because they're not given the lead roles a lot of the time. Especially in comedy, they're relegated to the adversary, which is like "the mean girlfriend."
Providing accurate portrayals of characters is something I want to pay ample attention to. If I don’t stick to that thought, then we’d have to lower the quality or break the balance of the game. Something that goes way off spec could break the entire game.
Anthony Mackie in 'The Hurt Locker' is everything an actor can hope to be. So rock steady in his portrayal that you immediately forget every performance he may have previously given, and focus only on the character in front of you.
Actually, the curious thing is that the more you become a subject of admiration or loathing, the more you're examined under a microscope, the distance seems to open up between who you really are and the portrayals that people impose on you.
What people adore about superhero movies is the signal quality of the Christopher Nolan films - their complete lack of irony when it comes to the portrayal of heroism and the need for heroes to confront evil.
Unlike any other business in the United States, sports must preserve an illusion of perfect innocence. The mounting of this illusion defines the purpose and accounts for the immense wealth of American sports. It is the ceremony of innocence that the fans pay to see - not the game or the match or the bout, but the ritual portrayal of a world in which time stops and all hope remains plausible, in which everybody present can recover the blameless expectations of a child, where the forces of light always triumph over the powers of darkness.
I’m loving doing Outlander. We’ve got a great cast and we’re up in the Scottish Highlands. […] It’s big budget, they’re spending a lot of money on it. They’re going for a very gritty and realistic portrayal of the Highlands and I play Dougal MacKenzie, the War Chieftain of Clan MacKenzie. As that implies, he’s quite the serious character. There’s lots of political intrigue, there’s romance, there’s adventure and action and there’s time-travel.
What is to be sought in designs for the display of information is the clear portrayal of complexity. Not the complication of the simple; rather the task of the designer is to give visual access to the subtle and the difficult - that is, revelation of the complex.
In order to bring a nation to support the burdens incident to maintaining great military establishments, it is necessary to create an emotional state akin to war psychology. There must be the portrayal of an external menace or of internal conditions rendered intolerable by the unjust restraints of foreign nations. This involves the development to a high degree of the nation-hero nation-villain ideology and the arousing of the population to a sense of the duty of sacrifice.
It is the work of the Canadian artist to paint or play or write in such a way that life will be enlarged for himself and his fellow man. The painter will look around him . . . and finding everything good, will strive to communicate that feeling through a portrayal of the essentials of sunlight, or snow, or tree or tragic cloud, or human face, according to his power and individuality.
It used to be that you had to make female TV characters perfect so no one would be offended by your 'portrayal' of women. Even when I started out on 'The Office' eight years ago, we could write our male characters funny and flawed, but not the women. And now, thankfully, it's completely different.
A riveting and realistic portrayal of space travel gone wrong, and of a crew who must fight for their survival. Bones Burnt Black is exciting, and expertly told. A must-listen.
A persons portrayal on TV isnt always how someone is.
Sometimes the picture someone else paints of us is a more accurate portrayal than a reflection. What we see in the mirror is always reversed. A portrait not only allows us to see our own faces, but how it looks to others.
Tutankhamun was not black, and the portrayal of ancient Egyptian civilization as black has no element of truth to it.
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