The poet is in the end probably more afraid of the dogmatist who wants to extract the message from the poem and throw the poem away than he is of the sentimentalist who says, "Oh, just let me enjoy the poem."
There is the view that poetry should improve your life. I think people confuse it with the Salvation Army.
Language, thought, analysis, art, dance, poetry, mythmaking: these are the things that point the way toward the realm of the eschaton.
I think that there are empty ecological niches in the literary landscape crying to be filled and when a book more or less fills a niche it's seized on, even when it's a far from perfect fit...
Poetry is the art of using language to transcend language.
Gel'fand amazed me by talking of mathematics as though it were poetry. He once said about a long paper bristling with formulas that it contained the vague beginnings of an idea which could only hint at and which he had never managed to bring out more clearly. I had always thought of mathematics as being much more straightforward: a formula is a formula, and an algebra is an algebra, but Gel'fand found hedgehogs lurking in the rows of his spectral sequences!
One merit of mathematics few will deny: it says more in fewer words than any other science. The formula, e^iπ = -1 expressed a world of thought, of truth, of poetry, and of the religious spirit "God eternally geometrizes."
It is only when we are aware of the earth and of the earth as poetry that we truly live.
The world is full of poetry. The air is living with its spirit; and the waves dance to the music of its melodies, and sparkle in its brightness.
I don't create poetry, I create myself, for me my poems are a way to me.
Thinking is always the stumbling stone to poetry.
It is through the intentionality of poetic imagination that the poet's soul discovers the opening of consciousness common to all true poetry.
Earth, receive an honored guest; William Yeats is laid to rest. Let the Irish vessel lie Emptied of its poetry.
We believe we can also show that words do not have exactly the same psychic "weight" depending on whether they belong to the language of reverie or to the language of daylight life-to rested language or language under surveillance-to the language of natural poetry or to the language hammered out by authoritarian prosodies.
The cliché is dead poetry. English, being the language of an imaginative race, abounds in clichés, so that English literature is always in danger of being poisoned by its own secretions.
Men grind and grind in the mill of a truism, and nothing comes out but what was put in. But the moment they desert the tradition for a spontaneous thought, then poetry, wit, hope, virtue, learning, anecdote, and all flock to their aid.
Most wretched men Are cradled into poetry by wrong: They learn in suffering what they teach in song.
No matter how much we learn, there is always more knowledge to be gained. In this connection I am reminded of a short poem that has been in my mind over the years. It reads as follow: I used to think I knew I knew. But now I must confess. The more I know I know I know I know I know the less.
Starry Starry night Paint your palette blue and gray Look out on a summer's day With eyes that know the darkness in my soul Shadows on the hills Sketch the trees and the daffodils Catch the breeze and the winter chills In colors on the snowy linen land.
They swayed about upon a rocking horse, And thought it Pegasus.
Poetry implies the whole truth. Philosophy expresses a particle of it.
Writing is a socially acceptable form of getting naked in public
Poetry is the outcome of emotions recollected in tranquility.
For me the initial delight is in the surprise of remembering something I didn't know I knew. I have never started a poem yet whose end I knew.
Ornate rhetorick taught out of the rule of Plato.... To which poetry would be made subsequent, or indeed rather precedent, as being less suttle and fine, but more simple, sensuous, and passionate.
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