I don't believe a good poet is very often deliberately obscure. A poet writes in a way necessary to him or her; the reader may then find the poem difficult.
I was brought up in a home where I saw my parents read and I was taken to bookshops and libraries, so I grew up feeling very comfortable around books. Also, Ireland is a country which has honoured its writers and poets, so when someone says they wanted to be a writer, its not mocked or looked down upon.
Anyone who wants to be a writer should, if given the opportunity, hang out with "real writers," that is, poets or writers who are lions in literature, semi-lions, or published authors.
I think it's hard to be taken seriously as a poet, period.
The way our big cities change sucks. The beauty of cities was that they were edgy, sometimes even a little dangerous. Artists, poets, and activists could come and unify and create different kinds of scenes. Not just fashion scenes, scenes that were politically active. Big cities are getting so high-end oriented, business corporate fashion, fashion not in an artistic sense but in a corporate sense. For me that edgy beauty of cities is lost, wherever you go.
Poets can tell the truth as they see it. It’s the author’s story, the author’s voice.
[To become a poet] The most important thing is to pay attention. The next would probably be to read; it's so important to pay attention. It keeps you from being bored, and I might add it keeps you from being boorish.
Living is the original art. As a young man I wanted to be a poet and I learned along the way that I already was a poet.
If the poet spun for half an hour daily, his poetry would gain in richness.
A man who is intentionally unarmed relies upon the Unseen Force called God by poets, but called the Unknown by scientists.
When there is war, the poet lays down the lyre, the lawyer his law reports, the schoolboy his books.
Painters and poets are obliged to exaggerate the proportions of their figures in order to give true perspective.
Even the dog is described by the poet to have received justice under Ramarajya.
As a very young poet, I had been brought up on that dogma that politics was bad for poetry.
Over many years so many poets have touched my imagination and opened paths for me - it hardly makes sense to list them. I have always read a great deal of poetry.
I think poets should work in the non-literary, non-academic world, get to know more than a workshop or a university.
You can't criticize Bob Dylan's singing. You have to respect Billy Joel as a brilliant poet. You can't tell me there's a better rock band ever than Led Zeppelin. And if you speak during the Eagles' "Last Resort," we're done. I'm just asking for seven minutes. This stuff really matters, you know.
I want to be remembered as an artist that gave you a piece of me, as opposed to some surface bullshit. I just want to be remembered as a poet that was open and honest because I wake up every morning and I'm me.
My songs were influenced not so much by poetry on the page but by poetry being recited by the poets who recited poems with jazz bands.
Time sped. And the poet through sorrow Became like his suffering kind. Again he toiled over his poems To lighten the grief of his mind.
I'm not a poet. I'm not up onstage to get something off my chest. I'm making musical statements, or, most of the time, musical questions for people to figure out, and I'm not going to get in the way of that.
My mother actually left American in 1929 to be part of an alternative community of bohemians around her then father-in-law who was a well-known Greek poet. This group of people were living in this semi-Luddite reality and weaving their own clothes - proto-hippies in a way- -but around an artistic vision.
When I was a kid I would write songs, little plays, and poetry in school. If you're an adult and you're a poet, it's all about love and pain, but if you're a kid it's, "Does anyone know a word that rhymes with shark?"
It was a little harder when I first went to Egypt when I was 18 years old and being a white woman with a knapsack and in blue jeans. But again I was part of the rucksack revolution there was some grace there. You could put it that way. And confidence as well because I thought of myself as a poet. That was part of it. I was going for that, to have experiences to make the work.
How can you work on letting your thoughts go and getting synchronized into the moment and questioning your wild imagination. But I say just think of all the great Japanese and Chinese poets and scholars who were also meditators.
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