Prose and poetry are as different as food and drink.
The manifestation of poetry in external life is formal perfection. True sentiment grows within, and art must represent internal phenomena externally.
Why must ancients, and provided the same talent, be better than modern authors? Free to exploit the vast realm of the simpleand the natural, they did not have to be artificial in order to be original (which every artist aspires to be).
A wise man can and should stand above his times, not so the poet, but he should be their apex.
The spirit of poetry combines the profundity of the philosopher and the child's delight in bright pictures.
The way in which modern German poetry follows theories reminds me of pupils who, scolded by their teacher for their insubordination, justify themselves by saying that they invented new rules of propriety according to which they are quite well- behaved.
The present is never poetic as it serves necessity, necessity, however, is prosaic.
A tailor can adapt to any medium, be it poetry, be it criticism. As a poet, he can mend, and with the scissors of criticism he candivide.
Our poetry emulates the recent progress in military strategy: Our army's strength is the foot soldiers.
Why I love the ancients so much? Aside from everything else, when I read them, the entire past between them and me unfolds at thesame time. The hearts of how many heroes and poets may have been set on fire by Plutarch's biographies which now inspire me with their own and with borrowed flames!
I understand the phrase "Honor the Women" all too well: the poet has probably a wife of his own, but he prefers to honor another.
The plot! The plot! What kind of plot could a poet possibly provide that is not surpassed by the thinking, feeling reader? Form alone is divine.
I was a tiny bug. Now a mountain. I was left behind. Now honored at the head. You healed my wounded hunger and anger, and made me a poet who sings about joy.
We tend to be so bombarded with information, and we move so quickly, that there's a tendency to treat everything on the surface level and process things quickly. This is antithetical to the kind of openness and perception you have to have to be receptive to poetry.poetry seems to exist in a parallel universe outside daily life in America.
the only truth is face to face, the poem whose words become your mouth and dying in black and white we fight for what we love, not are
But sometimes everything I write with the threadbare art of my eye seems a snapshot
Those blessed structures, plot and rhyme-- why are they no help to me now I want to make something imagined, not recalled?
You need to have a God, a lover, and an enemy, says the poet. Exactly: you need to have three enemies.
I am the scroll of the poet behind which samurai swords are being sharpened.
The poem is lonely. It is lonely and en route. Its author stays with it. Does this very fact not place the poem already here, at its inception, in the encounter, in the mystery of encounter?
German poetry is going in a very different direction from French poetry.... Its language has become more sober, more factual. It distrusts "beauty." It tries to be truthful.
I have never felt a placard and a poem are in any way similar.
It is the black poet who bridges the gap in tradition, who modifies tradition when experience demands it, who translates experience into meaning and meaning into belief.
Know that there is often hidden in us a dormant poet, always young and alive.
Poetry a riprap on the slick rock of metaphysics
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