Now the writing in the head, I definitely do every day, thinking about how I want to phrase something or how I'd like to rephrase something I've already written.
Every time I listen back to solos of mine I'll hear something I like and then another phrase that I can't stand. You have to live with what you play. And the recording medium puts that on us. When I play live gigs I don't think so much like that.
I'm always storing away phrases and ideas and things that I think might turn into songs.
There definitely isn't a structure anymore to how I get ideas. A lot of times I'll just write down a phrase, or I'll have an idea that's attached to just a few chords. Other times, it's work.
People can try to eat the correct things, take the correct amount of exercise, worry less and so forth. But in the end fate or destiny is seen as taking its toll. People die, to use a commonly used phrase, 'when their number's up'.
I think that three-act fundamentalism in film culture is a problem sometimes, because it's almost too obvious, or it's too expected. And it's not the only way to fill two hours, or to phrase things, or to order thoughts, or order ideas.
If you start with a good idea, you can encapsulate it in a phrase and explain it. I like high-concept films. Everyone can get hold of it. I don't think there's any harm in that at all.
When I am seriously composing, sometimes a phrase will come into my head, a catch phrase. When I was writing pop songs for a few years, as a career, separate from my folksinging career, I used to write songs for pop singers.
Some writers are curiously unmusical. I don't get it. I don't get them. For me, music is essential. I always have music on when I'm doing well. Writing and music are two different mediums, but musical phrases can give you sentences that you didn't think you ever had.
When you translate poetry in particular, you're obliged to look at how the writer with whom you're working puts together words, sentences, phrases, the triple tension between the line of verse, the syntax and the sentence.
For I am proverbed with a grandsire phrase.
Fitzgerald coined the phrase the 'Jazz Age,' and now we're living in the Hip-Hop Age.
There's a phrase in Shakespeare: he refers to it as the 'hidden imposthume', and this idea of a hidden swelling is seminal to cancer. But even in more contemporary writing it's called 'the big C'.
Jesus' kingdom was not like the popular expectation. He used the phrase 'kingdom of God' with a different meaning. His kingdom was not of this world (John 18:36). It was not like the kingdoms of this world. It was the kingdom of God, a supernatural kingdom. It was invisible to most people (John 3:3)-it could not be understood or experienced without the Holy Spirit (v. 6). God is Spirit, and the kingdom of God is a spiritual kingdom.
When I used to teach civil procedure as a law professor, I would begin the year by telling my students that “civil procedure is the etiquette of ritualized battle.” The phrase, which did not originate with me, captured the point that peaceful, developed societies resolve disputes by law rather than by force.
This writer, who is horribly perspicacious and vigorous, demonstrates the certainty of a great European war, and regards it with the peculiar satisfaction excited by such things in a certain order of mind. His phrases about "dire calamity" and so on mean nothing; the whole tenor of his writing proves that he represents, and consciously, one of the forces which go to bring war about; his part in the business is a fluent irresponsibility, which casts scorn on all who reluct at the "inevitable." Persistent prophecy is a familiar way of assuring the event.
Each pursues his private interest and only his private interest; and thereby serves the private interests of all, the general interest, without willing it or knowing it. The real point is not that each individual's pursuit of his private interest promotes the totality of private interests, the general interest. One could just as well deduce from this abstract phrase that each individual reciprocally blocks the assertion of the others' interests, so that, instead of a general affirmation, this war of all against all produces a general negation.
A writer ... whittles at the words and phrases of today and makes of them forms to set the mind of tomorrow's generation.
One of the most extraordinary things about industrial society of the present day is its idiot lack of memory. Tabloids and movies take the place of mental processes and revolts, crimes, despairs pass off in a dribble of vague words and rubber stamp phrases without leaving a scratch on the mind of the driven instalment-paying, subway-packing mass.
Musing on the phrase 'waste of time.' So much more complex than it appears. Many 'wastes of time' small talk, daydreaming are imperatives.
All serious art, music, literature is a critical act. It is so, firstly, in the sense of Matthew Arnold's phrase: "a criticism of life." Be it realistic, fantastic, Utopian or satiric, the construct of the artist is a counter-statement to the world.
A phrase begins life as a literary expression; its felicity leads to its lazy repetition, and repetition soon establishes it as a legal formula, undiscriminatingly used to express different and sometimes contradictory ideas.
The phrase "singular incredible life" seems to me that it applies more appropriately to Jane Goodall or David Attenborough, people I regard with awe and who stand for great humanism and knowledge.
[Ognev] recalled endless, heated, purely Russian arguments, when the wranglers, spraying spittle and banging their fists on the table, fail to understand yet interrupt one another, themselves not even noticing it, contradict themselves with every phrase, change the subject, then, having argued for two or three hours, begin to laugh.
The token of a true cosmos is in fact a particular kind of design, referred to in the book of Genesis in the phrase ‘God created Man in his own image’. This ‘divine image’, the characteristics of which we must study in detail, can be found on all levels, and is the hallmark of a cosmos.
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