I'm proud of the fact that Marine Le Pen in France insults me and Geert Wilders in the Netherlands calls me his opponent. The way I see it is, if these people weren't attacking me, I would be doing something wrong.
Sadly, there are more wild horses in holding pens than in the wild.
Whales, like elephants, are so social and intelligent. This hurts me to think of them being transported, put in noisy airplanes, and brought to a horrible concrete pen when they're supposed to be out in the sea.
You've got to find a difierent approach. You've got to create some interest in your language, in the words and pictures you create. If a candidate can't give a 10-minute speech and have reporters reaching for their pens in the first 90 seconds, he probably shouldn't be running.
I like to drive and I like to travel. When I drive on the open road, it's like sometimes the car turns into a pen and the road is a piece of paper.
Generally risk-averse, specialist translation imprints have also hollowed out a fairly comfortable niche for themselves: they get ninety percent of the profits for ten percent of the work, often largely funding their operations - and their salaries - through grants that they don't even apply for. If it wasn't for publicly-funded arts bodies and organizations such as PEN, I wouldn't have been able to work on either [Abdellatif] Laâbi or [ Rashid ] Boudjedra.
I still write with pen and paper and have someone type it on a computer. But rewriting I do by hand.
I had a rule that I would never force the muse in my younger days. I would follow the feeling. I would just put the pen down and walk away, and wait for it to come back. But these days, I have a kid, I tour a lot, and I'm always short on time.
I'm very primitive; I write with a pen.
I don't have a favorite cooking tool. In the kitchen, I always have my pencil and notebook in my hand. I cook more theoretically than I do practically. My job is creative, and in the kitchen, the biggest part of my creativity is theoretical. The pencil has a symbolic meaning for me. The type of person who carries a pencil around is the type of person who's open to change. Someone who walks around with a pen isn't; he's the opposite.
A rich man's body is like a premium cotton pillow, white and soft and blank. ''Ours'' is different. My father's spine was a knotted rope, the kind that women use in villages to pull water from wells; the clavicle curved around his neck in high relief, like a dog's collar; cuts and nicks and scars, like little whip marks in his flesh, ran down his chest and waist, reaching down below his hip bones into his buttocks. The story of a poor man's life is written on his body, in a sharp pen.
For the author there is nothing but his pen, till that and life are worn to the stump: and then, with good fortune, perhaps on his death-bed he receives a pension and equals, it may be, for a few months, the income of a retired butler!
Vulnerability of artists is definitely what makes organizations like PEN necessary because, as I tried to argue, the actual work that writers and artists do has an ornery way of surviving. Particularly in this age of the internet, it is very easy for forbidden work to be found online somewhere if you know where to look. Artists themselves, however, are in increasing danger, and not just artists. The great concern is that year after year, rising numbers of journalists are being killed in pursuit of their work.
One of the strange things about violent and authoritarian regimes is they don't like the glare of negative publicity. If you can make them sufficiently uncomfortable, they frequently respond by doing what you need them to do in the spirit of setting people free or ceasing arrests, which has worked time and time again with PEN.
I've never considered soundtracks for what I write. Nor have I considered computer drawing or painting. As a painter, I'm still trying to perfect what I started out doing with brushes, pen and ink, paint, etc. The transition, for me, from typewriter to computer was a big step. I am now very comfortable with writing on a computer but it took awhile. Because I did make that big step I won't rule out what happens in the future.
I'm not the kind of guy who walks around with a notebook writing lyrics. For me, melody and song structure come first and foremost. Unless the melody gets stuck in my head, I'll move on. Once I have the musical idea pretty firm, I just try to write words that are incredibly honest and relate to my life on that given night. I'll sit with the music on my headphones and pen and paper all night long until it's done.
Steve Bannon, the White House chief strategist, appears to imagine an alliance between Trump, Le Pen, Geert Wilders and Nigel Farage. Call it the populist international, a fraternal association of the nationalist right, binding people who want borders, across borders.
What is the appeal of Trump, really? It's nostalgic: "Make America great again." Like European nationalists, he has a vision of a "real" America, one which predates globalization, immigration, feminism, the civil rights movement and technological change, an imaginary 1950s to which we can now return. That is actually not very different from the kind of language that Marine Le Pen uses, or parts of the Brexit movement.
I am a Leo. I was born in August and I love the sunshine. I'm like a cat. We live in a very contemporary house with windows all around it. Wherever a sunspot is, I go to it with my yellow pad and my fountain pen and I write there.
Trump is much, much worse than people understand. In his ideal world, you would have an alliance between Trump, Putin, Marine Le Pen, maybe a right winger might knock off Merkel in Germany, and you'd have this sort of, essentially, a nationalist populist alliance that can only be made sense of when seen as a right-wing, white nationalism against the world. Because, who do they want to fight? They want to fight Asia and China, they want to fight Latin America and Mexico.
I was taking all prints and I brought them to the Magnum meetings, trying the old Josef Koudelka trick: Give them to photographers, who are getting bored during the talks about the economics of the agency, to look through with a pen. They'll separate them in two piles. I started to find the core pictures that people seem to relate to.
Writers throughout the ages have one weapon, which is literature, but they also have their responsibilities as a citizen when literature does not seem to suffice. I mean, they are not mutually exclusive. One continues to write anyway but if you are called out to demonstrate, if people are being killed in the streets, it's hardly the moment to go for your pen and paper, you know, help in one way or the other.
[Alex] Haley had a tendency to write even more frequently and voluminously to his agents and his editors than he did putting pen to paper in his own books.
[ Digital revolution ] only has allowed me to work faster, editing digitally, which I'm doing right now, a film on volcanoes. I can edit almost as fast as I'm thinking, editing with celluloid means always searching for this little reel of film, and number it, and scribble on it with some sort of pens, and gluing it together, and working on a flatbed. It's much, much slower.
I used to steal pens at the store. Back in the day when you would write checks, I would write a check and use the pen, and I would keep the pen.
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