I'm not a career kind of person. When I saw new music, new trends coming in, I didn't see any place for me. And I didn't think about it as a career loss, because I was married - I have a great- grandchild now. The low points were when I lost people that I really cared about.
I get a chance to see new bands and new music. I've seen a lot of amazing local bands, bands that I think 'have what it takes', that they could become the next big thing. More often than not it doesn't happen.
My little boy (Sasha) is now one-year-old and that makes it easier for me to go back to the studio and work on creating new music.
When I am doing music, I sometimes become over compulsive to 'always make some new music'. I think I am like this because I sense what others are perceiving me as. If I work extraordinarily hard because of these expectations, I will, but I just cannot produce the good music that I want.
Just be comfortable. Sometimes, when open up for a bigger artist at a conventional concert, you can feel unwelcome. But when you're playing a festival, people come to see music in general - so don't be fearful. The people are there to enjoy and discover new music so approach the show with confidence and optimism.
What motivates it is life. Life is everything. Life influences my music and brings it forth. Life is always changing, so I'm always hearing new music.
To me, art and music inform each other continually, and when I was making more music there was an overall aesthetic that was shared by both mediums. Now I always listen to music when I work, so when I am working a lot, that is when I start searching out new music and finding new things to get excited about.
I'm steeped in aesthetic theory, so I tend to bring in my own amateurish way of baring a little bit - when, in practice, I'm not thinking about that when I'm working over the keyboard, or musing over musical ideas in my head. But when discussing it, we want to have some new thought about this new music.
I'm very bad with music. I don't know any new music. I've listened to the same 10 or 12 albums my whole life.
I have a day job Monday to Friday. I work at a record label in Brooklyn called Ba Da Bing. It's a great indie label and I listen to music all day. I meet people online and find out about the cool new music blogs.
In terms of creating new music, I'm willing to even branch out and take a slight gamble, but I'm not going all the way far left. I'm not trying to reinvent the wheel.
So much of what deejays like myself do is, I'm very interested in - I'm constantly looking for new music, constantly digging, but then also I am thinking about how to present it in a way that kind of makes sense to people who are less - sort of less with their hands in it than I am.
I won't necessarily make new music because when you make a record there are these great expectations on the side of the record company who are going to produce your record, promoters that are going to do your shows. They want you to do interviews, they want you to play shows. I mean, they want it to be a campaign.
I don't think anyone listening to my music needs any special knowledge. They don't need to have a background in contemporary music. They don't need to go to new-music concerts all the time in order to be able to understand it.
I think it will be fun to not only play new music, but to get to play different instruments on-stage.
I personally feel the need to experience life and new music and ideas before I can sit down and start writing music again.
After I had my youngest son,I took time for him and just spent more time with my family. But, I know it's time to get back to work. I am working on new music.
In the new music landscape, with is the democratization of the internet and music in general, I think it can be a lot more collaborative.
I do have some weeks coming up in the summer where I will actually be in my house, and I love working on new music and all of that.
I'm the only choice to make a record. And that's the only way I would do it. We'd have to make some new music. The fans deserve it. Van Halen's got some of the best fans on the planet.
We had a wonderful department that scouted out new music. It was beneficial to Rolling Stone, because I would come back and say, "You have to hear this, you have to hear that," and I found a lot of bands to feature, emerging bands. It [ended up being] symbiotic.
What I value most in new music today is strangeness, oddity. Passion. And humor. I listen to a lot of hip-hop because it combines so many things like that.
I love looking back, and even putting new music on vinyl - if it's right!
I don't want to know what people are doing. Like, I don't need to know who's got a new music video and who's got a new lipstick.
Most of this innovative new music doesn't make money so it's regarded as uninteresting for the business people and considered as "underground".
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