One very important difference between color and monochromatic photography is this: in black and white you suggest; in color you state. Much can be implied by suggestion, but statement demands certainty... absolute certainty.
In black and white you suggest, in color you state.
The sky is like a monochromatic contemporay painting, drawing me in its illusion of depth, pulling me up.
The world can only appear monochromatic to those who persist in interpreting what they experience through the lens of a single cultural paradigm, their own. For those with the eyes to see and the heart to feel, it remains a rich and complex topography of the spirit.
I tend to wear monochromatic outfits - all one colour from head to toe.
In a world full of monochromatic tadpoles, if you are fluorescent it does not matter what size of tadpole you are.
Texture is something we forget - it makes outfits look very expensive. You can do a monochromatic outfit, if you're afraid of things that are more colorful and printed, and still create interest.
I always dress kind of monochromatic and very simple and all that kind of stuff.
It is obvious that any rather non-color, monochromatic design is safe, easier, more generally restful and with life being the hurdy-gurdy that it is, more and more of us prefer and interior giving the maximum response.
"Nothing ever happens like you imagine it will," she says. The sky is like a monochromatic contemporary painting, drawing me in with its illusion of depth, pulling me up. "Yeah, that's true," I say. But then after I think about it for a second, I add, "But then again, if you don't imagine, nothing ever happens at all."
People ask why I do monochromatic clothes; the reason is because I'm thinking in proportion to the world. In this room, your head is going to look so much more interesting if it's on a monochromatic column. Whereas I think people think of outfits and gets a little too fussy, a little too detailed. I'm always thinking of the line of a person standing with their head in a room and I always feel like a stalk, or a stem, or a pillar is nicer. I always think of everything architecturally.
The grey paintings, for example, a painted grey surface, completely monochromatic - they come from a motivation, or result from a state, that was very negative. It has a lot to do with hopelessness, depression and such things. But it has to be turned on its head in the end, and has to come to a form where these paintings possess beauty. And in this case, it's not a carefree beauty, but rather a serious one.
What does it mean when you hook up your work to that of a late modernist giant working in a reductive vein - Ad Reinhardt, Agnes Martin, Robert Ryman, Ellsworth Kelly, Frank Stella, or Donald Judd, for example - like a caboose? I am not talking about engaging directly with another artist's work or ideas, but of perpetuating a look or, in the case of Wade Guyton, the various monochromatic, striped and geometric surfaces we associate with Minimalism.
The whole subject of the X rays is opening out wonderfully, Bragg has of course got in ahead of us, and so the credit all belongs to him, but that does not make it less interesting. We find that an X ray bulb with a platinum target gives out a sharp line spectrum of five wavelengths which the crystal separates out as if it were a diffraction grating. In this way one can get pure monochromatic X rays. Tomorrow we search for the spectra of other elements. There is here a whole new branch of spectroscopy, which is sure to tell one much about the nature of an atom.
For Filipino Americans, it's a battle for recognition, for identity in a culture where, for the mainstream, Asians tend to fade into a monochromatic racialized 'other.'
A good portion of my work with Tangerine Dream at the time involved film music, and I remember approaching it as any 23-year-old would - without much fear or respect. Also, Tangerine Dream was typically asked to deliver a monochromatic kind of score, the electronic-analog trademark sound that TD had become famous for following landmark films such as Sorcerer [Universal, 1977], Thief [MGM, 1981], and Risky Business [Warner Brothers, 1983].
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