Einstein pronounced the doom of continuous or 'rational' space, and the way was made clear for Picasso and the Marx Brothers and Mad magazine.
In living through this great epoch, it is difficult to reconcile oneself to the fact that one belongs to that mad, degenerate species that boasts of its free will. How I wish that somewhere there existed an island for those who are wise and of good will. In such a place even I should be an ardent patriot!
I used to be a mad hitter. And then I learned the longer you wait out the ball, the better you see it. And the better you see it, the harder you hit it. And the harder you hit it, the higher your average is going to be. And the higher your average is, the more money you're going to make.
I retired at twenty-nine, bought a life-time pass on American Airlines and my only goal in life was to party like a mad man and get drunk with as many people as possible. And I was happy right there. But when we started the streaming business, I knew it could be something big.
I liked the Beatles but I wasn't mad on the Stones. I always thought they were a slight rip-off of Chuck Berry and some of the old blues people, and they never seemed to change. If people compare me to Jagger and the Stones I would be the one to be put down ... I've been far more progressive than any of them.
I had a weimaraner for 11 years called China, and he was a great dog, a bit mad. They're massive, weimaraners; they've got big floppy ears. They look like a pointer, but they're liver-coloured.
Not once does the Bible report that (Jesus) rushed anywhere. He was often busy, but never in a mad dash. And yet He perfectly accomplished all the Father designed for Him to do.
Hillary Clinton will travel to Vietnam with the president this Friday. It's a fact that at the height of the war in 1971, she tried to enlist in the Marines, but they turned her down. Apparently we weren't that mad at the Viet Cong.
I'm usually a mellow, go-with-the-flow person, except when someone tells me I should do something. Then I get stubborn. If they don't back off, I get this horrible rage and want to kill them. When I was four and my mom would send me to my room, I'd get so mad I'd go outside and bang my head on the sidewalk.
We can't disrupt polling places anymore, ... It doesn't serve any purpose. It just makes people mad.
I'm sure I've all but lost friends by maintaining that, despite their love for it, I always saw Stanley Kramer's 'It's a Mad, Mad, Mad, Mad World' as more of an exercise in anti-comedy than humor.
Kenny was actually here at Melwood as a 15-year-old schoolboy. He came on trial and he went home afterwards. It was only later that Bill Shankly realised that Dalglish was here as a boy and he went mad! He said 'how did we miss him?' Kenny just had the football brain. He was born with it and you can't give that to people. He had that natural born talent.
The (campaign) ads all have the same tone - the voice is hushed and amazed when talking about The Enemy, as if you should worry how this amoral, power-mad, extremist puppy-strangler clawed his way out of hell and landed in your district. And the voice is happy and relieved when talking about The Most Noble Candidate, as though he's Santa, Will Rogers and Lincoln all rolled into one.
But I hope to maintain my credibility after I stop playing. Because, yes of course, now I play and I score goals and children all over are mad about me. Not just poor children - all children. We can make them really happy by the way we play, though I have to say that it's the poor ones that I think of most, the ones who can't come and watch the games at the stadium. We mean so much to them. That's why I'm so committed to this work. Later, after you've stopped playing, it's harder to have the same impact. But I will give it a go. I want to continue doing this kind of work for ever.
To Americans, Washington is a giant cesspool. It's no wonder almost half of Americans (47%) now agree with the statement 'I'm mad as hell and I'm not going to take it anymore.' It's us (the people) versus them (the politicians), and it doesn't matter what primary color you wear [...] I was involved in the 1994 elections, and I will never forget the arrogance of the Democrats back then, and how they refused to accept the electoral reality facing them. It is no different today.
To be able to play Jack Kerouac or Sal Paradise, it's mad to me.
People might get mad for five or ten minutes, but then they respect you more. And the next time they see you, they'll tell their friends, "Don't go up to him with that stuff - he don't mess with cocaine."
What are we going to do about the injuries to our country still going on right in front of our eyes? It gets me out of bed in the morning. It makes me mad enough to get my blood up and want to get out there with [Mark] Twain and get it said and that is why I still hit the road and go out on the stage and keep working at staying alive.
One of the problems with a lot of "confessional" writing is that it starts and stops with the confessional and doesn't really tie the "I" into a "we" at all. I'm still surprised at how mad critics get at that kind of confessional writing.
I've written a book about my mother, and I don't remember anyone going to Antigua or calling up my mother and verifying her life. There is something about this book that drives people mad with the autobiographical question.
I think people like to have everything be perfectly morally clear. When the lines get blurred it worries them. I'm not worried. I don't think the men are either. But I think that the videos bring up feelings in people that they don't want to feel. Sometimes people get really mad. That's okay.
Sometimes it's good to get mad, sometimes it clarifies where we stand. I think that art has the ability to challenge and push, and that's great. That's better than great... it's necessary.
Being on "SNL" was a goal that I had when I was younger. When I got fired, I just felt really mad and I felt really grossed out by the system and grossed out by myself and it just sort of knocked me on my ass.
Certainly as actors, and maybe as directors, you've got to hang on to something childlike. You've got to know what play is. I haven't worked with Mike Leigh, but I know him very well and there's something open in his eyes about what's in front of him. And the same is true of Alfonso in a Mexican, mad way. There's an enthusiastic response to something. Neil Jordan, the same, when he gets excited . You just want to know there's a human being in there.
I can't get mad about peoples' opinions, I always say that. That's their opinion. They got every right to say or think whatever they want to say and think. And whatever they say and think don't affect my life.
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