In nature, light creates the color. In the picture, color creates the light.
Color helps to express light, not the physical phenomenon, but the only light that really exists, that in the artist's brain.
I want people to be overwhelmed with light and color in a way they have never experienced.
Light and color are closely linked. The colors can make a crucial change in nature, if you switch from daylight to artificial light or just from strong to weak illumination. In addition, color perception is affected by the material structure. Even if a piece of textile can have the same color as a shiny enamel plate, then they will act completely different.
How beautiful the leaves grow old. How full of light and color are their last days.
Over the years, in making art, I have constantly explored issues dealing with space, time, light, and society. I am particularly interested in how the light of a space determines how we see that space and similarly, in how light and color are actually phenomena within us, within our own eyes.
The hard part is how to plan a picture so as to give to others what has happened to you. To render in paint an experience, to suggest the sense of light and color, of air and space.
Light gesture and color of the key compliments of any photograph. Light and color are obvious, but it is just her that is the most important. There is gesture in everything. It's up to you to find a gesture that is most telling.
As, in Sense, that which is really within us, is (as I have said before) only Motion, caused by the action of external objects, but in appearance; to the Sight, Light and Color; to the Ear, Sound; to the Nostril, Odor, &c.
If there is such a thing as being conditioned by climate and geography, and I think there is, it is the West that has conditioned me. It has the forms and lights and colors that I respond to in nature and in art. If there is a western speech, I speak it; if there is a western character or personality, I am some variant of it; if there is a western culture in the small-c , anthropological sense, I have not escaped it. It has to have shaped me. I may even have contributed to it in minor ways, for culture is a pyramid to which each of us brings a stone.
...now he saw the familiar wide river beside the path differently. He saw all of the light and color and history it contained and carried in its slow - moving water; and he knew that there was an Elsewhere from which it came, and an Elsewhere to which it was going
My particular aesthetic of light and color and design wouldn't change as a result of working with computer graphics rather than with slit scan or miniatures.
Clearly, if wed had the kind of computer graphics capability then that we have now, the Star Gate sequence would be much more complex than flat planes of light and color.
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