I think there are a lot of great journalists out there. I don't find much fault in the journalist in general; I think everybody would like to break a good story.
It's hard any time people are sitting down and looking at you across a camera and saying, "I believe that you guys will tell my story faithfully." That's getting to the core principle of being a journalist or a documentarian where people trust you with their stories.
Since I come from documentary background and my father is a documentary filmmaker, for me the core essence of cinema is it's social statement. It is somewhat similar to the work of a journalist, just on a different level. This is the kind of cinema I enjoy.
I'm not especially interested in the job of the historian or journalist of trying to figure out what was true and what was not.
I had two competing ambitions when I was a child: I wanted to be a Scientist and Discover Great Things, but I also wanted to be an Author and Write Great Things. I've always tried to combine the analytical with the creative, to some extent or another, because I find it hard to do one without the other. I've worked as a tech journalist, social media consultant, and now am self-publishing fiction.
I've known Owen's father Ron [Suskind] for years, and this was based on his best-selling book ["Life, Animated"]. We worked together as journalists at ABC-TV News, and I knew about the book since its inception. Before he finished it, he approached me and said he thought it would make a great documentary, and I agree with him, and moved forward from there.
We've always been journalists - and have seen ourselves in that way. But we sort of recontextualized it through music.
As sonic journalists, we were increasingly becoming bombarded with global images. It was the early idea of the cut-up, the idea of images being juxtapositioned, which we were doing with sound. That was the early days of samples.
The American journalist Barbara Ehrenreich has written about this in her book Smile or Die: How Positive Thinking Fooled America and the World (2009) . She talks about the happiness industry, the rise of medication to make us happy and of self-help books, and the influence of all this on religion. In many ways religion has become another form of self-help. We all suffer from over-exposure to positive thinking.
As a journalist, I think the only question that you ask yourself - once you've determined that the material is authentic - is what is in the public interest to know. And then you go about and report it.
I think that - not just as a journalist but as a human being - I have the ethical responsibility to avoid actions that can harm innocent people.
The issues for journalism and journalists, we see obvious places where presentation is very different in a digital space from traditional print. If you go to a New York Times homepage, you cannot get to a story about the Ukraine without a click-off on a banner ad or a slide show. They're not alone in that - you think you're clicking on a video about a news event and you have a 30-second ad that you have to watch before you can get to it.
I have been incredibly proud and incredibly humbled to have had a front-row seat in covering this election [2016]. I'm working the hardest I've ever worked. I'm on the air six days a week...covering this election has been historic and amazing, and it has helped me grow so much [as a journalist].
I have spent six years in prison, the last six years. Even if I was outside the prison, how much actual space was there for an investigative journalist to do his work in Iran? But I know one thing for sure: That we, the Iranian people, are much more in line of danger than the West.
I know of only one country, at least to my knowledge, which has a dissident culture where leading figures, I mean, the most famous writers, journalists, academics and so on, are not only critical of state policy, but are constantly carrying out civil disobedience and risking imprisonment and often being imprisoned, standing up for people's rights. That's Turkey.
I knew early on that I wanted to be a reporter, but I didn't know I was a political journalist until my first job in Boston, in the '70s, covering the public school committee at a time when busing was a huge issue. Children's lives were being directly affected by political decisions, and that's when I realized that everything is politics.
In this film [The Last King of Scotland] I am the rooky in the cast. Everyone has miles of experience than me and Della is in the same situation, so life imitated art in many ways. I don't think I could be a journalist. I wouldn't make a very good journalist, especially in Washington and working in politics, which I think would be really tough.
I met journalists that were on both sides of things. People who are young, enthusiastic and hard working journalists working on the online side and people who had been there forever. There was one journalist who had running shoes under her desk in case she had to kick of her heels and go out and cover a breaking news story.
We were there [ in the newsroom] through the elections [2008] so it was quite a frenzy going on. The other thing I learn is that journalists are very messy.
With the war in Iraq, I had the cooperation of the Department of Defense. Kuwait was pretty eager to get American journalists in there, to show us what a wonderful place they are, and what great allies they are to America, even though they didn't actually fight in the war.
You had journalist saying during the campaign that Donald Trump compels them to suspend all objective standards of journalism.
If you want to take off your journalist outfit and declare yourself a pundit and go argue against Donald Trump, go for it. But you can't wear both hats.
Those of us who believe in human rights and the truth - particularly the journalists and the media - should stand in defense of Julian Assange and Bradley Manning. We owe them a lot for telling us the truth of what is happening in our world, and that is why I would continue to support them.
Absolutely I'm going to be talking about it, because it's in the zeitgeist and it's happening. It's an election year. It's the biggest election. Every election is a big election, so whenever anybody says that it kinds of grates me, but it's a fiasco. It's turned into a complete circus act, so of course you have to make fun of it, but responsible journalists definitely are being irresponsible. They're giving [Donald Trump] so much air time.
Populists hate journalists, they hate teachers, they hate lawyers, but they tend to like rich people. There's something deeply consistent.
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